Once in a Lifetime

A young vampire, named Selena, resides in Los Angeles and has her mute lackey Monk hunt down women to kill and drink their blood. Selena brings into her small group Antonio, a hulking wolf-man to assist and further terrorize the people of L.A. In the meantime, a dogged police inspector and a resourceful young woman try to piece together the strange murders and disappearances before more victims turn up.

Chaos reigns at the natural history museum when night watchman Larry Daley accidentally stirs up an ancient curse, awakening Attila the Hun, an army of gladiators, a Tyrannosaurus rex and other exhibits.

A documentary about the history of settler groups that came to New Zealand from Europe.

A contemplation of art and adventure in the southern wilds of New Zealand by both a landscape photographer and an adventure filmmaker. This film is the unexpected result of their two unique perspectives.

Quest for the Ring

Edward Carnby is a private investigator specializing in unexplainable supernatural phenomena. His cases delve into the dark corners of the world, searching for truth in the occult remnants of ancient civilizations. Now, the greatest mystery of his past is about to become the most dangerous case he has ever faced.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

After their car breaks down, a group of young travelers find themselves stranded at a roadside museum run by the enigmatic Mr. Slausen and populated by his collection of life-like wax mannequins

Some of them move. Others make noise. One weighs in at 700 pounds. Collectively, they represent the future of contemporary craft. Go behind the scenes of the "40 under 40: Craft Futures" exhibition, featuring traditional and non-traditional works of decorative art created by the top 40 American craft artists under the age of 40. Observe this wildly creative and diverse exhibition, assembled for the 40th anniversary of the Smithsonian American Art Museum's Renwick Gallery, and witness the challenges and rewards of bringing together 40 unique artists at the top of their craft.

Bertram Pincus, a cranky, people-hating Manhattan dentist, develops the unwelcome ability to see dead people. Really annoying dead people. Even worse, they all want something from him, particularly Frank Herlihy, a smooth-talking ghost, who pesters him into a romantic scheme involving his widow Gwen. They are soon entangled in a hilarious predicament between the now and the hereafter!

Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.

On 28 November 1979, an Air New Zealand jet with 257 passengers went missing during a sightseeing tour over Antarctica. Within hours 11 ordinary police officers were called to duty to face the formidable Mount Erebus. As the police recovered the victims, an investigation team tried to uncover the mystery of how a jet could fly into a mountain in broad daylight. Did the airline have a secret it wanted to bury? This film tells the story of four New Zealand police officers who went to Antarctica as part of the police operation to recover the victims of the crash. Set in the beautiful yet hostile environment of Antarctica, this is the emotional and compelling true story of an extraordinary police operation.

A close examination of the Whakaari / White Island volcanic eruption of 2019 in which 22 lives were lost, the film viscerally recounts a day when ordinary people were called upon to do extraordinary things, placing this tragic event within the larger context of nature, resilience, and the power of our shared humanity.

Cumberland, 1348. The plague is spreading in medieval England. The remote village of little Griffin is also threatened. But the 9-year-old boy has a recurring dream that holds the key to a tiny hope of survival: a lake with a coffin floating on it. A white church with an iron cross. A falling glove. A falling silhouette. A torch tumble through a dark shaft into infinity. With his brother he recognizes in it a prophecy to escape the Black Death. So they embark with a few men on a journey to a distant cathedral, where they want to set up an iron cross as an offering to God. Her path leads them through a deep and dark mine shaft into an unknown land and completely outlandish time - into the present-day New Zealand of the 1980s.

The vampire myth is given a stylish 1960s treatment, where a human cop partners with a vampire cop to stop a vamp bent on creating a war between the two "separate but equal" races.

Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.

Hapless museum night watchman Larry Daley must help his living, breathing exhibit friends out of a pickle now that they've been transferred to the archives at the Smithsonian Institution. Larry's (mis)adventures this time include close encounters with Amelia Earhart, Abe Lincoln and Ivan the Terrible.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

In the years since New Zealand politicians began to grapple with climate change our greenhouse gas emissions have burgeoned. Alister Barry’s doco draws on TV archives and interviews with key participants to find out why.