Originally produced in 1997 on the threshold of the Third Millennium of the Christian Era, and in celebration of the Jubilee of the Year of Our Lord 2000, The Vatican Museums was the culmination of three years of research and filming, the collaboration of thirty-two scholars and historians from around the world, a crew of forty directors of photography, operators, and lighting technicians, state-of-the-art digital cinematography, lighting, animation, and computerized editing, and the work of a famous composer with original performances by master musicians. Now available on DVD for the first time, this historic three-disc collection features seven hours of magnificent documentary film that illuminates and chronicles the great journey of the human spirit. Here then is the world's most spectacular and sacred repository of art, history, and faith.
The film delves into the work processes of an archaeological team from the Aranzadi Science Society at the San Adrián Tunnel site. Interspersing this observation with archival materials, the film explores the relationships between archaeology and museography, as well as the different ways in which these two practices produce the displacement of objects.
A manufactured memory.
The ninth opus of his Walker Films series, which was shot at Centre Pompidou.
In August 2021, writer Lola Lafon spent a night alone in the Annex of the Anne Frank Museum, where the young girl and her family hid from 1942 to 1944. This experience gave rise to a book, Quand tu écouteras cette chanson, and now its documentary adaptation. Over the course of a night, the author revisits her story. An inner journey around the figure of Anne Frank and the power of writing in the face of oblivion.
People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?
A ghost and a French marquis wander through the Winter Palace in St Petersburg, encountering scenes from many different periods of its history.
Un-Documented argues against Alain Resnais and Chris Marker’s film Statues Also Die (1963). Focusing on plundered objects in European museums and listening to the call of asylum seekers to enter European countries, their former colonizing powers, the film defends the idea that their rights are inscribed in these objects that were kept well documented all these years.
UNESCO Memory of the World: Explore the Bibliotheca Philosophica Hermetica’s new home with 25,000+ rare books on alchemy, hermetica & mysticism at the Embassy of the Free Mind museum, set in Amsterdam’s historic canal mansion, the House with the Heads.
How the art in the Detroit Institute of Art connects to life's experiences and the neighborhood.
For over 30 years a man termed as a mad man, comes to light as his passionate work of collecting artifacts gathers momentum and gains the title of a museum. The film trails through the struggles of Victor Hugo Gomes, a Collector from India-Goa, and how he perceives to leave behind his collection.
Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.
Vaciar el museo
At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.
One man's hat is another man's treasure when it comes to the importance and significance of saving items of historic value.
Maurizio is a young university student living in Zürich, with a passion for diseases. Unlike many others, he can see an inherent beauty in them. Afterall, what difference can exist between a flower and an infection, if they are both a gift of nature?
Four French museums, the Louvre, the Quai Branly, the French National Library, and the Rouen Museum, are faced with pressing demands for the return of works of art. The number of demands is multiplying. They come from all over the world, and in particular from Egypt, Mali and New Zealand. The question of returning works of art to their countries of origin is increasingly making news. Take for example the emotions aroused by President Sarkozy’s decision, on the 12th November 2010, to return 297 royal manuscripts to South Korea. The ensuing row involved diametrically opposed points of view. Was it a violation of the principle of inalienability of France’s national collections or was it a just reparation for the victims of colonization? The rich countries’ great museums and the countries of origin have completely different visions of the issue. The museums defend the idea of a universal museum whose works belong to the whole of humanity.
Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the world-renowned museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power.
An extraordinary voyage of discovery to see the most impressive collection of works of art built up over two thousand years of history. VATICAN MUSEUMS 3D, a SKY production in collaboration with the Vatican Museums Directorate, for the very first time brings Ultra HD 4K/3D film cameras inside the Vatican Museums and the Sistine Chapel, to show the masterpieces in these collections as they have never been seen before.
A documentary about the fascinating and complicated process of the rebuilding of Holland's most famous museum, The Rijksmuseum. The film shows the people behind the scenes during the years of demolition, restoration, and political and financial debate. We witness their efforts, joys and struggles with one goal in common: the love of art.