Sherlock Holmes et le mystère de la vallée de Boscombe

Lovesong

The 2024 Senior BA students would like to invite you to a Playdate!! Bring your blankets, stuffed animals, and pillows as we celebrate the path that got us to where we are!

An artist is asked to write by a con artist agent and an improvised historian, a 'performance' to remember Giovanni Battista Casti three hundred years after his birth. A situation and homage that results in a satirical transposition of today.

Coco Baisos, a mature woman who likes to lead a big train, finds herself once again a widow, the fifth to be more precise. Bursting with energy and natural optimism, Coco is firmly determined not to be put down by fate. She immediately starts looking for a new companion, preferably a billionaire, so as not to have to give up her habits of luxury and pomp. She would indeed be very unhappy if fate forced her to modify her lifestyle. But the wallets trimmed do not run the streets. This manhunt, longer than expected, will hold many surprises for him ...

Pour avoir Adrienne

Maxime Depratte, a charismatic company director, invites Corentin Michelot, his meticulous and unassuming accountant, to dinner to "fix" a compromising financial statement just hours before a board meeting. Ségolène, Maxime's wife, is very upset about being an accomplice to this foolish dinner. However, through misunderstandings and plot twists, the three of them will uncover the hidden sides of their own personalities.

Le visiteur

When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix's sister Kelly, he follows his ex into the school's spring musical. Thus ensues a love triangle loosely based upon Shakespeare's "A Midsummer Night's Dream", where Berke is only to find himself getting over Allison and beginning to fall for Kelly.

Kelly surprises Nancy late one night when he returns unexpectedly to the cold dark stage of an empty theater where they are currently in rehearsals for a stage play, a murder mystery. Kelly and Nancy have a lurid and salacious history as actors and lovers. He's come back to pick up a script. She's there to meet her husband the playwright. They're surprised to discover new props litter the stage; a real dagger, a loaded revolver and a blood-stained playing card, a Joker. As certain events begin to unfold, the reality of this “play-within-a-play” leads to a deadly finale where they find themselves caught up in a web of lies and deceit. And someone may pay the ultimate price in a deadly finale! Joker's Wild pays homage to film-noir, an 'Agatha Christie like' one act, a murder mystery that also has some fun referencing the post war classics. And was a festival favorite seen at various film festivals, broadcast on HBO and others, and won various awards such as a CINE Golden Eagle.

Le Tombeur

When a frustrated playwright/middle school theater teacher finds out his ex-girlfriend has started dating his nemesis, the school's principal, he decides to ruin the principal's chances of winning the Blue Ribbon of Academic Excellence.

It's Easter time in Crisper County and cable news reporter Marlee Meade (Petunia Rhubarb) is hunting for a way to help others. On a tip that the old town theater will be shut down, Marlee cooks up a plan to save the stage and make a difference through the power of musical theater! With a cast of costume-clad townies, massive props and a 20-foot robot rabbit - "Up With Bunnies" is hatched! There's only one thing missing - the star of the show! When news spreads that singing sensation Cassie Cassava (Melinda Dolittle) is arriving to perform in her hometown church's Easter service, Marlee gets worried. Concerned about the competition, she schemes to steal the starlet for her own pageant! But when things go haywire, will it be curtains for Marlee's dreams - or will she discover the true meaning of Easter and what helping others is really all about?

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

In a French fur salon, a businessman disastrously attempts to seduce a stripper with a mink coat, leading to a chaotic mix-up involving mistaken identities, a jealous husband, and a frantic, half-dressed chase.

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi

O Palco dos Rebeldes

L'opéra

Le manteau de Janis

When melancholic construction worker Dan finds himself drifting from his wife and daughter, he discovers community and purpose in a local theater's production of Romeo and Juliet. As the drama onstage starts to mirror his own life, he and his family are forced to confront a personal loss.

Kristina Wong is an actual elected representative of Koreatown, Los Angeles. But before she created a raucous show about her current stint in Public Office, she was a scrappy performance artist with a bright future in reality television. The system she used to ridicule is now the one she’s become. Is she more effective as a performance artist or a politician? Can she Abolish ICE? Is there actually a difference between performance art and politics?