Lapin

Pour avoir Adrienne

Le visiteur

Le Tombeur

Bruno and Florence invited Sophie and Alex for the evening, but nothing goes as planned between the successful author, the brilliant entrepreneur and their respective wives, two sisters. Contradictions, anxieties, bad faith and pettiness come around the table. A delightful cascade of incidents quickly transforms the family reunion into a crazy night where secrets, bottles and unsaid are shattered until the two couples, caught in an irresistible whirlwind, formulate the most unexpected.

Props, the stage man, and his assistant at the Orpheum Theater, Plunkville divide their time equally between drinking and attention to duty. Trouble starts when the new acts arrive. The Wiggle sisters, a Hawaiian act, demand the star dressing room but Props turns them down, but relents when Babe, the strong man, and his beautiful wife, Ethel Burton because he is smitten. Once the show begins Props is forever getting in the way of the performers and his bibulous assistant has an unfortunate propensity for dropping the curtain at the wrong moments. Things only get crazier from there.

O Palco dos Rebeldes

Le manteau de Janis

Le plus beau dans tout ça

Maxime Depratte, a charismatic company director, invites Corentin Michelot, his meticulous and unassuming accountant, to dinner to "fix" a compromising financial statement just hours before a board meeting. Ségolène, Maxime's wife, is very upset about being an accomplice to this foolish dinner. However, through misunderstandings and plot twists, the three of them will uncover the hidden sides of their own personalities.

Louis XVI.fr

When a construction worker unexpectedly joins a local theater's production of Romeo and Juliet alongside his estranged teenage daughter, the drama onstage starts to mirror his own life.

Le vison voyageur

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

Louis just found the corpse of a man in front of his apartment building. Taken in for custody by Captain Buron, he finds himself on the wrong end of a surreal interrogation. But how can you prove you are innocent when the cops are crazy?

Coco Baisos, a mature woman who likes to lead a big train, finds herself once again a widow, the fifth to be more precise. Bursting with energy and natural optimism, Coco is firmly determined not to be put down by fate. She immediately starts looking for a new companion, preferably a billionaire, so as not to have to give up her habits of luxury and pomp. She would indeed be very unhappy if fate forced her to modify her lifestyle. But the wallets trimmed do not run the streets. This manhunt, longer than expected, will hold many surprises for him ...

It's Easter time in Crisper County and cable news reporter Marlee Meade (Petunia Rhubarb) is hunting for a way to help others. On a tip that the old town theater will be shut down, Marlee cooks up a plan to save the stage and make a difference through the power of musical theater! With a cast of costume-clad townies, massive props and a 20-foot robot rabbit - "Up With Bunnies" is hatched! There's only one thing missing - the star of the show! When news spreads that singing sensation Cassie Cassava (Melinda Dolittle) is arriving to perform in her hometown church's Easter service, Marlee gets worried. Concerned about the competition, she schemes to steal the starlet for her own pageant! But when things go haywire, will it be curtains for Marlee's dreams - or will she discover the true meaning of Easter and what helping others is really all about?

Kristina Wong is an actual elected representative of Koreatown, Los Angeles. But before she created a raucous show about her current stint in Public Office, she was a scrappy performance artist with a bright future in reality television. The system she used to ridicule is now the one she’s become. Is she more effective as a performance artist or a politician? Can she Abolish ICE? Is there actually a difference between performance art and politics?

Les Faux British

Ramsès II