Viktor, who was born deaf, worships the figure of the samurai warrior. When bombs start falling on his countryside home in Kharkiv, his quasi-romantic obsession with war is put to the test.
Affectionate portrait of Timothy "Speed" Levitch, a tour guide for Manhattan's Gray Line double-decker buses.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Herbst 1929 - Schatten über Babylon
Omama, a rural grandmother in Hungary, has one main wish: to not wake up tomorrow. Martin, her cinema-expatriate grandson, comes for a visit, hoping to connect with her before Omama's wish comes true.
The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
Stanley Kubrick’s short documentary about Father Fred Stadtmueller, a Catholic priest serving a vast 4,000-square-mile parish in rural New Mexico. To reach his scattered congregation, he pilots his own Piper Cub aircraft, the Spirit of St. Joseph. Over two days, Kubrick follows the “flying padre” as he conducts Mass, mediates between quarreling children, attends a funeral, and airlifts a sick child to medical care—capturing both the challenges and quiet heroism of his daily mission.
50 años de... Canciones
Children get ready to start the first grade. They start learning the first letters.
Cinéastes de notre temps : Erich von Stroheim
Cinéastes de notre temps : Jean Vigo
Filmmakers of Our Time: François Truffaut or the Critical Spirit
Made in the sunset years of Paul Bowles’ life, the film sees the eccentric author and composer reminisce on how he ended up in Morocco.
Fritz Lang, le cercle du destin - Les films allemands
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
Images complement what is always lacking in words. The poems complement what is always present in the city. Freely inspired by the poetry Cidade City Cité, by Augusto de Campos.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.