A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
Gay men talking about gay men.
A short film featuring a coastal forest and the rocky coastline of downeast Maine.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
A homeless man living in a encampment in Minneapolis tells his perspective on the ongoing crisis of homelessness.
Amongst the contemplative static shots of decaying architecture weaves an abstract narrative unveiling the life-cycle of a higher perception, too large to perceive. Shot at various sites across south-east England, INFRASTRATA is a study on the concept of super-organisms, and the relationship between structure and nature.
Plague: From the Latin word “plaga” meaning 'blow', 'wound'. Meaning: Massive, sudden appearance of living beings of the same species that cause serious damage to animal or plant populations. Abundance of something harmful.
A dog trains for the battlefield and becomes a crucial part of the United States military. This 1945 short documentary film was nominated for an Oscar for Best Live Action Short, One-Reel.
Documentary of the Rustavi Metal Works, in the country of Georgia.
Die Blitzzugjagd
A glimpse of life as seen through young people at a Zimbabwean children's home.
The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
A man ventures out into the streets of a pandemic-ridden London.
A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.
Herbst 1929 - Schatten über Babylon
The film begins with the First World War and ends in 1945. Without exception, recordings from this period were used, which came from weekly news reports from different countries. Previously unpublished scenes about the private life of Adolf Hitler and Eva Braun were also shown for the first time. The film was originally built into a frame story. The Off Commentary begins with the words: "This film [...] is a document of delusion that on the way to power tore an entire people and a whole world into disaster. This film portrays the suffering of a generation that only ended five to twelve. " The film premiered in Cologne on November 20, 1953, but was immediately banned by Federal Interior Minister Gerhard Schröder in agreement with the interior ministers of the federal states of the Federal Republic of Germany.
Down the gangway, photographers leave the deck of a riverboat in large numbers.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
This film portrays activity in Grand Central Market in Los Angeles, California. Highlighted are vendors that represent the melting pot that is America, selling their wares to people of all ages and all walks of life. The film was directed by William Hale. Notably, the film also showcases some early work of famous cinematographer, Haskell Wexler.