Zeit der Verleumder

A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.

It is May 8, 2024, and Israel is preparing to launch a destructive military operation in Rafah. Tahani, a Palestinian woman who has been internally displaced multiple times since the beginning of the attacks on Gaza, wonders where she and her children can find refuge once again. The film provides a glimpse into her family’s life before and after October 7, depicting the anguish of a mother who, marked by a painful loss, struggles to find peace.

The film assembles a series of chapters which move between impressionistic studies of unusual spaces and structures observed in the occupied Palestinian territories.

During May 2001, Chilean filmmaker Miguel Littin traveled through historic Palestine, documenting everyday life amid the war—more precisely, the existential distance between a child throwing stones with a slingshot and tanks filled with artillery.

During the Syrian civil war, the district of Yarmouk, home to thousands of Palestinians, became the scene of dramatic and ferocious fighting. The film follows the destiny of civilians during the brutal sieges, imposed by the Syrian regime, that took place in the wake of the battles. With his camera, Abdallah Al-Khatib composes a love song to a place that proudly resists the atrocities of war.

Filmed in the heart of the Gaza Strip in the spring of 2025 and produced by WeWorld as part of a project funded by the European Union, in collaboration with Save the Children, the film tells everyday stories of resistance and humanity: a barber who continues to welcome his clients amid the rubble, restoring dignity and beauty; Wafa, a woman who dedicates her life to children with disabilities or those who have been orphaned, offering care, education, play, and a sense of normalcy. An intimate narrative that illuminates the strength of the community even in one of the world's most fragile and war-torn contexts, like Gaza, where the population has been under constant attack for two years and under blockade for over 18 years.

13-year-old Khodor is a child whose family tries to issue him an ID document that proves his existence and gives him the right to education, health-care and movement outside of the Palestinian refugee camp of Shatila in Beirut, Lebanon. Through the process, many of the family's old secrets are revealed.

A young girl is cured of her epilepsy just as summer vacation is about to begin. During her last days with her classmates, she’ll come to experience life in a new way. Arranged as a series of elliptical tableaux, this haunting narrative from Luise Donschen (Casanova Gene) captures a simultaneous sense of discovery and disorientation as it proceeds from the confines of the classroom to a wider world of adolescent anxieties.

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Yonatan, an ultra-Orthodox young man protesting against conscription into the IDF, offering his perspective on the yeshiva, the conscription, and socks.

Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.

A portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives. Farah Hatoum, a widow living with her children and grandchildren, and Sahar Khalifeh, a novelist from the West Bank.

MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.

Located in former West Berlin, Tempelhof Airport reflects the dramatic history of the 20th century. Once a Nazi showpiece, it later became a symbol of freedom during the Berlin Airlift and the Cold War. In 1978, East German citizen Constanze Glien unexpectedly arrived here after her flight was hijacked, changing the course of her life.

The film focuses on three male and one female soldier. They represent the challenges that the German army is currently facing: the Bundeswehr has too few personnel, too little equipment and for many years was not prepared for the type of war that it must now prepare for in the future. The film reflects the dramatic change from the perspective of those who have to shoulder the task of "national and alliance defense" in a very concrete and personal way in their everyday lives, at their location, in their unit.

Born in 1960 in Hagen, North Rhine-Westphalia, Nena, whose real name is Gabriele Susanne Kerner, grew up under the influence of a father who encouraged her from childhood to follow her instincts. As a teenager, she tried her hand at music. It wasn't long before a band was formed, The Stripes. 99 Luftballons, their second single, launched Nenamania in Germany and around the world.

The 43 Group was an English anti-fascist group set up by Jewish ex-servicemen in the immediate wake of World War II when, on their return to London, they encountered British fascist organisations such as Jeffrey Hamm’s “British League of Ex-Servicemen” and later Oswald Mosley’s reformed fascist party, the Union Movement.

London students and academics protest the genocide in Gaza.

Tawfiq’s Reef chronicles the plight of Palestinian fishermen in Gaza, heavily restricted in the area in which they can fish, often indebted, shot at, harassed or imprisoned by the Israeli Navy on the narrow sliver of fishing waters available to them off the Gaza coastline, making this one of the most dangerous professions in the world.

Set in the al-Mishal Cultural Center in Gaza before it was destroyed by an Israeli air strike on August 9, 2018, A Play Before The Bombs is a story that unfolds over a 4 year period. The film follows Abeer Ahmed, a young woman growing up in the Jabaliya Refugee Camp, the largest refugee camp in Gaza, as she and the other members of her cast and crew prepare to put on a play that focuses on a Palestinian woman’s right to receive inheritance. While the content of the play is tailored towards fostering a cultural discussion among Palestinians, neither the play nor the playhouse can escape the omnipresence of the Israeli siege on Gaza. A siege that shatters literal buildings as well as the hopes and dreams of the performers and community members who take refuge within the walls of al-Mishal in search of artistic fulfillment.