Guy Hircefeld: A Guy with a Camera

Pour l'honneur de Gaza, des déplacés sous les tentes

The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

Information Violence

THE BLACK LIST: VOL. 2 profiles some of today's most fascinating African-Americans. From the childhood inspirations that shaped their ambitions, to the evolving American landscape they helped define, to the importance of preserving a unique cultural identity for future generations, these prominent individuals offer a unique look into the zeitgeist of black America, redefining the traditional pejorative notion of a blacklist.

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

An in-depth look at the culture of Los Angeles in the ten years leading up to the 1992 uprising that erupted after the verdict of police officers cleared of beating Rodney King.

A Palestinian activist's fight for freedom draws a Japanese American filmmaker into confrontation with detention regimes of past and present.

The real life story of the events surrounding the fight for and against public housing and racial integration in Yonkers, New York in the 1980s as portrayed in the HBO miniseries Show Me a Hero.

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

Steal This Film focuses on Pirate Bay founders Gottfrid Svartholm, Fredrik Neij and Peter Sunde, prominent members of the Swedish filesharing community. The makers claimed that 'Old Media' documentary crews couldn't understand the internet culture that filesharers took part in, and that they saw peer-to-peer organization as a threat to their livelihoods. Because of that, they were determined to accurately represent the filesharing community from within. Notably, Steal This Film was released and distributed, free of charge, through the same filesharing networks that the film documents.

A 42 minute documentary film that combines the cactus and the memories it stands for. The film addresses the story of the destruction of the Palestinian villages of Latroun in the Occupied West Bank and the forcible transfer of their civilian population in 1967. Over 40 years later, the Israeli occupation continues, and villagers remain displaced. The film follows two separate but parallel journeys. Aisha Um Najeh takes us down the painful road that Palestinians have been forcefully pushed down, separating them in time and place from the land they nurtured; while Israelis walk freely through that land, enjoying its fruits. The stems of the cactus, however, take a few of them to discover the reality of the crime committed.

Accompanying from a place to another the poet who spent years in exile far from his native land of al-Birwa, in Haifa, Cyprus, Tunis, Amman, Paris, Cairo and Ramallah.

A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.

The ideologies underlying the foundation of modern Israel are explored in this documentary, the third of a trilogy (created over a twenty year span) exploring the Jewish experience. The two earlier documentaries, "Porquoi Israel," and "Shoah," have had great effect on the ways documentaries are produced. "Tsahal" zeroes in on the crucial role of the military in Israeli society and politics. The film uses many in-depth interviews to present the many feelings and thoughts about the Israeli military.

An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.

An examination of Israel and its society after many months of war, seen initially through the prism of viral social media posts - and exclusive interviews with the soldiers behind them. These posts, some shared millions of times, show soldiers humiliating bound Palestinians, ransacking their homes, joking as they detonate schools and whole districts, and laughing as they launch high explosive ordnance into densely-packed areas. The award-winning team behind this Basement Films production traveled to Israel to interview some of these soldiers, who proudly defended themselves and their videos, some expressing callous disregard for Palestinians in Gaza. Through additional interviews with Israeli radical groups, politicians, and media figures, the film reveals Israeli Jewish society in the aftermath of October 7th, gripped by a vengeance and hate that puts into question any possibility for peace.

The moment where American sprinters Tommie Smith and John Carlos raised their gloved hands in defiance on the podium at the 1968 Mexico City Olympics is one of the most memorable images in sports history. But there is a third man in the photo, the white Australian who finished second to Smith and ahead of Carlos in the 200 meters. His name is Peter Norman, and he stands in quiet solidarity with them. Norman’s story is retold in this film with passion and perspective.

An archival documentary about the U.S. military’s response to the political and racial injustices of the late 1960s: take a military base, build a mock inner-city set, cast soldiers to play rioters, burn the place down, and film it all.

Going behind the usual images of war-torn Gaza, Swiss documentarian Nicolas Wadimoff offers this look at how people survive despite constant threat of danger. Children still play, rappers still create music and families still love one another. In addition to visiting the United Nations Food Distribution Center, Wadimoff films at a derelict amusement park and profiles the DARG TeaM rappers, whose politically charged music proclaims their defiance.

Lies and guilt are at the core of Patrick’s relationship with his mother Randa. Over the years, he has collected their audio messages and video calls, transforming them into a portrait of her life in Lebanon and his own in Belgium. This very intimate yet social piece reveals a complex relationship marked by the distance between the two characters and shows what one may experience as a homosexual migrant. By turns moving, provocative, and hilarious, Mea Culpa questions the links between national and sexual identities for a young Palestinian migrant.