snow light

A debt-settlement meeting turns into a surreal nightmare of ego, sexism, and chaos.

Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.

The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.

Time passes but nothing changes. Opportunities are missed one after the other. Until finally there's a way out.

travelling through time and space to a place where, it seems, you used to be happy in.

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

Mesmo Nesse Fim de Mar

Today, film is no longer used to take photos, but to capture memories. On the day of the "Black-out", the pictorial traces left by digital technology disappear...

An extremist, comedic, political, surrealist movie about control, a little cat boy, a color changing violent leader with unbelievable hair, and totalitarian violence

A naturalistic snapshot of the southern countryside.

During a confessional, a priest reflects on the time he encountered death itself

A lonely man tries to enjoy a regular evening

In the flow of an energy and of a dream, an intermittent voice wanders in search of itself. Among mountains, accumulations, waterfalls, feral and human presences, borders and thresholds, suspended between a real world and a memorial, rarefied one, the firefly tries to recognize itself and to rediscover its own essence in a gaze

A poetic Super 8mm film created by Rachael Wilson and Anderson Matthew set to accompany the live recital performance of Olivier Messiaen’s Harawi – Chant d’amour et de mort (1945).

A short experimental film that thematizes dreams and nightmares in a surrealistic way. The basis of the movie is found in the poetry created by the two directors, so the film partly seems like stringed lyrical motifs, open to arbitrary interpretation, giving the impression of poetic images arranged in sequences. Combined techniques were used, so in addition to recording with a camera, pixilation, object animation, collage and liquid animation are featured.

In the stillness of night, a lone man is trapped in a state of sleep paralysis. As darkness closes in, he must confront the ghosts of his past.

A man's mind jumps back and forth between increasingly extreme versions of the individual and the collective.

Shots of Paris on May 15, 2016 with a Parisian narrator telling us the story of May 15, 1848, when protesters finally pushed the establishment to let them have a popular vote to elect their ruler.

Two young film enthusiasts from downtown São Paulo are doing a film rehearsal and, for the final scene, inspired by "The Man Who Left His Will on Film," they want to film a projection onto a woman's body.

Experimental film "Presence has all the things that life can have in itself. But living as a stranger in today's arena, how much does it desire to communication?