Dear Bowie

A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.

An ethereal trip, created using archival footage, subverts past expectations and defines the road ahead for two adventurous sisters. A tender reminder of how our desires can manifest as a confusing and never-ending quest and how our loved ones can anchor us in the world despite all of the momentum and commotion. – Leonie Woodfin

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

At once a high-level musician, member of the October Group, entertainer, theater artist, film actor, mountaineer, and skier, Maurice Baquet, always on the move, structured his life around two common threads: the cello and the mountains. He once defined himself as a "cellist-skier," "all alone" in this category, which prompted James Couttet, world ski champion, to say: "Of all the skiers I know, he's the best cellist." Echoing this, Professor at the Conservatoire National Supérieur, André Navarra, added: "Of all the cellists I know, he's the best skier." Throughout his varied yet coherent career, Baquet helped to project a joyful and artistic image of the mountains. Who better to talk about Maurice and all his adventures than his alter-ego: Cérébos, the faithful cello that never left his side? From Paris to Chamonix, from the stage to the granite slabs and snowy slopes, this film follows Cérébos, crossing the century and above all... smiling!

After the death of his grandmother Emma, Robin Hunzinger and his mother Claudie find a carefully preserved collection of letters which Emma received from a girl called Marcelle. In the 1920s, Emma and Marcelle met at school in Dijon. Secretly, love blossomed between the two teenage girls, but after two years they parted ways. Marcelle developed tuberculosis and was admitted to a sanatorium. Complementing the sparse photographs of the women, Hunzinger combines archive footage, avant-garde films, and music to create a sensuous, poetic atmosphere.

A benefit concert and telethon organized by George Clooney and broadcast uninterrupted and commercial-free by the four major television networks just 10 days after the September 11, 2001 attacks on the World Trade Center and The Pentagon to raise money for the victims and their families,

Set against the vibrant spectacle of the jaripeo, a symbol of Mexican cowboy tradition and machismo, this story unveils a hidden world of queer desire and quiet rebellion. As glances and gestures disrupt the rigid norms of masculinity, the rodeo becomes a stage for our protagonists to navigate identity, community, and the search for belonging in an oppressively traditional space.

Dangling from a high window, a young non-binary person is on the cusp of life and death. Flashes of film, literature, art (paintings) and cultural history pass them by, as if to tell a message. A postmodern treatise on connection to culture and the past.

As a memorial to George Harrison on the first anniversary of his passing, The Concert for George was held at the Royal Albert Hall in London on 29 November 2002 . Organized by Harrison's widow, Olivia, and son, Dhani, and arranged under the musical direction of Eric Clapton and Jeff Lynne. A benefit for Harrison's Material World Charitable Foundation, the all-star concert took place on the day of the first anniversary of his death. Proceeds from the film also went to the Material World Charitable Foundation. The film was shot using discreet cameras from over twelve locations.

Amber belongs to a queer generation which no longer wants society to dictate their identity. The teenagers proudly inhabit a spectrum of fluid identities and master their first loves and losses.

The artist walks through a garden, with additional footage featuring Black trans activist Marsha P. Johnson.

A ceremony celebrated in the courtyard of the Invalides, in the presence of the President of the Republic Emmanuel Macron, members of the Government, the actor's family and many personalities from entertainment and sport.

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”

An inside look into the effort to preserve Philadelphia's ballroom scene, a black LGBTQ safe-space that has endured for 30 years.

Sanctuary explores queer spirituality and utopian sexualities through the figure of Purusha Androgyne Larkin (1934–1988), a monk, pioneering gay filmmaker, and self-proclaimed cosmic-erotic mystic. Larkin’s 1981 book, 'The Divine Androgyne According to Purusha', challenged repression with a spiritual vision rooted in eroticism and presented a radical path to cosmic-erotic consciousness through ‘extreme’ forms of sexual pleasure. Sanctuary explores Larkin's attempt to form a utopian, pleasure-based spiritual community, and considers the complex legacies of his ideas in queer culture. Shot on 16mm, the film weaves together the voices of Larkin’s friends and followers, creating a portrait in absentia of a figure ahead of his time.

after mourning the passing of his late wife, Bill finds the courage to travel to New York City and reconnect with his favorite mistress.

A live concert in tribute to Freddie Mercury, former lead singer of Queen. Mercury died of AIDS and so some of the proceeds of this concert went to AIDS research. Features performers such as Metallica, Def Leppard, Elton John, Axl Rose, Extreme, George Michael, and many others. Performers alternate between doing their own hits, covering Queen songs, or jamming with the surviving members of Queen.

A trans paranormal investigator and their team search for the connection between the queer and the strange as they explore the mysterious and magical world of the rural south.

Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.

An edgy and unapologetic look at the growing impact that open LGBTQ music artists, and their straight allies, are having on the portrayal of sexuality and gender politics in music, and its affect on the normalizing of gay culture. Using artists personal experiences as a lens, we'll look at sexuality's influence on music and the role of social media in helping artists complicate mainstream expectations of identity. How far are artists willing to push their music, messages and imagery to challenge the way pop culture defines notions of sexuality, masculinity, femininity, gender and what it means to be queer?