The epic story of how people around the world lived through the first year of the coronavirus pandemic, from lockdowns to funerals to protests. Filming across the globe and using extensive personal video and local footage, FRONTLINE documented how people and countries responded to COVID-19 across cultures, races, faiths and privilege.
Ever since it was revealed that the chocolate industry is involved with child slavery in the Ivory Coast, the industry has been busy – due to consumer demands – explaining what exactly it does to actively fight trafficking and child labour. But does the industry live up to its own promises?In this investigative film, director Miki Mistrati tries to find out, if the chocolate industry – which is one of the largest corporations in the world – speak the truth, when they say that they provide education, medical care etc for the children of the Ivory Coast. But the project runs into trouble already from the get-go, because the embassy of the Ivory Coast won’t let Miki enter the country until he has an invitation – from the chocolate industry.
A French documentary on how Covid-19 affected Hollywood and the cinema industry in the United States.
Part road-movie and part intimate portrait of lives in transit, IT WILL BE CHAOS unfolds between Italy and the Balkan corridor, intercutting two unforgettable refugees stories of human strength and resilience.
Documents a southern Ohio story of partnership and creative problem-solving that helped a hospital tackle its PPE shortage.
Humor helps people through hard times. A look at the viral videos, songs and sketches that have filled the Internet worldwide since the beginning of the COVID-19 pandemic and what this lockdown humor says about humans in distress.
'The Devil's Miner' tells the story of 14-year-old Basilio who worships the devil for protection while working in a Bolivian silver mine to support his family.
After an attempt to bring Syrian refugees into the predominately white New England town of Rutland, Vermont, unleashes deep partisan rancor, a longtime Rutland resident emerges as an unexpected leader in a town divided by class, cultural values, and divisive politics.
An effervescent facilitator and mother figure, Multicultural Liaison Officer Rosemary is undoubtedly a force of nature. Isolation in Auburn’s migrant community is a huge obstacle, and cultural norms mean that women are often tied to the house or a limited locale. Rosemary, with her larger-than-life spirit and generosity, works tirelessly to draw the women out of their homes and into society. She hosts a lively African Women’s Dinner Dance and takes them on a trip to the Blue Mountains and the NSW South Coast – introducing them to an Australia they’ve never seen before.
The fate of thousands of people is unified under the tarpaulins of the refugee camps in Kobanê and in Shingal. Kurdish filmmaker Bahman Ghobadi has given eight children the opportunity to use a camera to tell their own stories. Each film gives us a glimpse into the plight of the children, as seen through their own eyes. Their stories tell of young people with their whole lives ahead of them, though they’ve already lost almost everything. At a certain point, the film crew leaves the camp and follows the 13-year-old Mahmod and his sister in the search for his parent‘s house in Kobanê. The town has been ravaged by the war and all the children find is rubble. The eight films reveal the courage and openness of the young filmmakers, who share their stories with great intensity, realism and poetry, despite their harsh fate.
A pandemic, a time of hard lockdown, when contact with other people is severely limited. The most common means of communication are online conversations, which the director uses to talk to people who, like him, are stuck alone in their apartments.
A father’s heartfelt plea to have lifesaving talks with pre-teens and teens comes after his 12-year-old son’s suicide from COVID-related isolation.
Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years.
Chasing Asylum tells the story of Australia's cruel, inhumane treatment of asylum seekers and refugees, examining the human, political, financial and moral impact of current and previous policy.
On January 23, 2020, the Chinese authority imposed a lockdown in Wuhan, as well as other cities in the Hubei province, in an attempt to prevent the Corona-virus from spreading further across the nation.
As the WHO warns the coronavirus is reaching a dangerous tipping point, watch the most up to date and comprehensive account of the extraordinary chain of events that have left the world on the edge of a pandemic.
Jasim and Alsaleh are underage refugees in a Greek prison. Coming from Syria and Iraq, they were arrested and accused of smuggling illegal immigrants. With unique access in the juvenile prison and court room, the film follows the two friends closely while in custody, during the trial and after the verdict, through a narrative of suspense which reveals how youngsters are forced to transport migrants across the border to Greece while the smugglers stay behind and continue their job uninterrupted. If Jasim and Alsaleh are found guilty, they will face extremely long prison sentences. Phone conversations between the imprisoned young boys and their mothers at their war-stricken countries accentuate the double enclosure that these families experience. No one knows how and when their long run will end.
A group of young architects, confined to a forest in Barcelona during the COVID crisis, explore the problems generated by the ambition of wanting to be completely self-sufficient.
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Investigative journalist Joshua Philipp examines the origins of the COVID-19 pandemic, caused by the SARS-CoV-2 virus, covering events from late December 2019 to early April 2020.