miwa acoustic live tour 2018 "acoguissimo 47 Todofuken ~ Kan ~"

Arlo Parks en Concert au Trabendo

Countdown Live 2001-2002 A is a recording of Ayumi Hamasaki's 2001 New Year's Eve concert, originally released as part of the Complete Live Box.

Full performance of Graham Parker & The Rumour from Judd Apatow's "This Is 40". Shot at the historic Belasco Theater in downtown Los Angeles, This Is Live showcases both classic songs such as "Local Girls" and "Protection" and new favorites including "Stop Cryin' About The Rain" and "Long Emotional Ride."

Filmed during the tour for 2004’s Uh Huh Her (and directed by longtime collaborator Mochnacz), Please Leave Quietly intermixes live footage with backstage antics, street scenes, buggered sound checks and impromptu commentary from tour personnel and bandmates. Often interspliced and edited to a near distracting degree, the live performances are riveting, with Polly Jean displaying a venomous allure in her Oz-red high heels and short-skirted dresses.

The Gampel setlist was as follows : 1 Misfit Love - 2 Sick, Sick, Sick - 3 Feel Good - 4 Tangled Up In Plaid - 5 Burn The Witch - 6 Monsters In The Parasol - 7 Lost Art - 8 Make It Wit'Chu - 9 Long Slow Goodbye - 10 Little Sister - 11 Turnin' On The Screw - 12 3's & 7' - 13 Go With The Flow - 14 No One Knows - 15 Song For The Dead

A Reno singer witnesses a mob murder and the cops stash her in a nunnery to protect her from the mob's hitmen. The mother superior does not trust her, and takes steps to limit her influence on the other nuns. Eventually the singer rescues the failing choir and begins helping with community projects, which gets her an interview on TV—and identification by the mob.

Live At The Winterland Ballroom, San Francisco. 1978.01.14.

As Tobias, a young director, supposes that his girl-friend Ellen had an affair with his brother Markus, front man of "Hansen", one year ago, he decides to shoot a documentary about the band's next tour. When Ellen joins the project, everybody's emotions boil over, although they are observed all the time.

Like his father, Tom is a real estate agent who makes his money from dirty, and sometimes brutal, deals. But a chance encounter prompts him to take up the piano and become a concert pianist. He auditions with the help of a beautiful, young virtuoso pianist who cannot speak French - music is their only exchange. But pressures from the ugly world of his day job soon become more than he can handle.

Live Trax Vol. 44: 9.4.16 The Gorge Amphitheatre, George, WA With the spectacular river gorge as the backdrop, Dave Matthews Band took their final bow of the 2016 tour at the Gorge Amphitheatre before heading into an extended hiatus. The weekend, which has been affectionately dubbed “Labor Dave Weekend,” was full of incredible energy and solid performances that covered the breadth of the band’s catalogue. This show from September 4th kicked off with “The Stone,” complete with an audience sing-along, and ended with a two-song encore of “Pig” and “Stay (Wasting Time).” Special guests included Carlos Malta on woodwinds on “Say Goodbye,” “The Maker,” and “Typical Situation,” while touring crew member Joe Lawlor played guitar on a fiery performance of “Rhyme & Reason.”

THE BOYZ FAN CON: The Film Festival

Gyllene Tider live concert. The album includes live performances from the group's 2004 25th anniversary tour.

Marlene Kuntz: Petali di Candore

This is the first appearance on Soundaboard of Kyuss, the band from Palm Desert, California. Better late than never. A recording on the year they split at the Bizarre Festival in Cologne, Germany that also had the presence of Clawfinger, NOFX, Monster Magnet, White Zombie, Paradise Lost and others.

Setlist: White Noise, I'm Jim Morrison, I'm Dead, Rano Pano, How to Be a Werewolf, San Pedro, 2 Rights Make 1 Wrong, Hunted by a Freak, Auto Rock, Mogwai Fear Satan, Mexican Grand Prix, Batcat

They even talked about us and the people who keep the homepage and the g-35 running. Of course they made a bit fun of the whole thing but also pointed out that it´s a pretty interesting thing for them, especially when they are on tour as they get the reactions to their concerts.

This concert documentary blends the full live performance of the final hometown show of mewithoutYou's "[A→B] Life 15th Anniversary Tour" with interviews and archival footage to tell the story of the band's evolution and emotions as they revisit their debut record.

If ever there’s a moment that brilliantly and perfectly illustrates the star-power possessed by Diana Ross, it is the opening of her 1978-1979 stage show, captured on tape for this Home Box Office television special. Beginning with the star’s face projected on a large screen, mouthing the words to her #1 hit “Ain’t No Mountain High Enough,” the scene cuts to Miss Ross (draped in furs and jewels, of course) sauntering down a white, almost surreal staircase. At the bottom of the stairs – during the joyous, climactic crescendo of the song – she suddenly bursts from the screen and onto the stage, greeted by the screams and cheers of an overwhelmed audience. Those lucky enough to be at these shows literally watched a superstar come to life before their eyes; incredibly, the impact is equally great when watched on a television screen decades later.

Rick Astley - Berlin live

The Rolling Stones embarked on the Licks World Tour in 2002 and 2003 to celebrate their 40th anniversary, featuring the band performing in arenas and stadiums in addition to the occasional theatre. In November 2002, the Stones arrived in Los Angeles to perform at a packed Wiltern Theatre, treating fans to a set heavy on rarities which feel right at home in such an intimate setting. While some of the hits are performed, this night at the Wiltern is for the rarely played classics, including Stray Cat Blues, No Expectations and a cover of Everybody Needs Somebody to Love featuring a guest spot by the legendary Solomon Burke.