Nam June Paik

In this short animation film the triangle achieves the distinction of principal dancer in a geometric ballet. The triangle is shown splitting into some three hundred transformations, dividing and sub-dividing with grace and symmetry to the music of a waltz. The film's artist and animator is René Jodoin, whose credits include Dance Squared and several collaborations with Norman McLaren.

[Plot kept under wraps]

Ensemble for Somnambulists was a film Maya Deren made while teaching a workshop at the Toronto Film Society. It was never completed, and is officially "unpublished," but this title has been restored and it screens occasionally along with her other films. It is sort of a preliminary sketch for The Very Eye of Night. ~ David Lewis, Rovi

This animation is based on Stephen Coates composition under the same title. This film is about The Great Revolution of the British Cuckoos, who bravely took over London, forcing all the people to move inside the cuckoo clocks. Animation by Alex Budovsky. Music by "(The Real) Tuesday Weld."

It's midnight in a graveyard. The principal characters are spooks, ghosts, bats, bells, and, at the end, the sun. As midnight strikes, 12 spooks appear, then two ghosts. They move to the music's rhythm. Against the black night, they are blue and yellow. Bats appear as does a xylophone of bones. Mist rises, spooks swirl. A bell tolls. The sky turns light blue, the ghosts' dance slows. Then black night returns bringing intimations of frenzy. Bones play snare drums; spooks peek out of square graves. Scary faces appear. Frenetic movement takes over. A rooster crows and all return to earth as the sun's light appears.

Hal and a theater manager see people watching a building excavation for entertainment. They suggest that city employees entertain their customers, including a singing tax collector. Hal becomes the Mayor's assistant.

A claustrophobic stage revue where McNaughton comes out to introduce the numbers with Thelma white and chorines, but is interrupted by Wills and Carney with painful gags, and some clothes-tearing horseplay. For a costume number with the boys, McNaughton is replaced by McKay.

Hal and Mitzi have known each other since they were babies. Tap dancer Hal now works as a window dresser in Blake's Department Store, owned by Mitzi's dad. Mr. Blake hates jazz music and dancing. He refuses to let Mitzi marry Hal, because Hal's ambition is to be a dancer on stage. When Mitzi reveals a secret about Mrs. Blake's past, her father soon changes his tune.

It’s an underground world. Up on the ground there are many people coming and going. There lives a garbage bag. . . underground. He has no work, no home and no family. This is a story in which a dirty black garbage bag gains a new life through. . . various experiences.

Animation work that approached relation of score without time that undertakes expression and the blueprint with time axis of music axis. The time axis was given to the score and "Made of the score an image" was tried. It keeps likening the music sheet to the bird that stopped in the electric wire, and the image doing the panning.

Emily and Elizabeth are two peculiar sisters. They’re recluted from the world and became piano virtuosos.

The ponies are about to perform a magical musical on stage and everyone is practicing but no one is playing together.

MS-DOS demoscene short film that showcases computer animation, art and music.

MS-DOS demoscene short film that showcases computer animation, art and music.

MS-DOS demoscene short film that showcases computer animation, art and music.

MS-DOS demoscene short film that showcases computer animation, art and music.

MS-DOS demoscene short film that showcases computer animation, art and music.

A simple filmed performance featuring Cantor, done up in his stage minstrel makeup, allegedly at the Ziegfeld Theatre Roof Garden, but actually filmed on a soundstage at the Paramount Astoria studio.

In a wordless story with semi-surreal stage sets, a poor black man ventures from his ramshackle rural home to the big city, where a dancing girl in a dive two-times him. He returns to his home and wife's arms.

The film is a series of comical musical numbers and skits following Phil Harris around, starting with him performing at the Cocoanut Grove nightclub, which is listened to by Dorothy on the radio whose home-brewing husband Walter hates Harris. The action then moves to the country club where Walter unknowingly encounters Harris while being aggravated by his music. Walter then pretends to be Phil to meet a woman while Harris "entertains" her friend, Dorothy.