This excellent and breathtaking documentary is the result of a long study on the Gulag to try to understand why more than 60 million Soviet citizens were sent to the camps from 1918 to 1956, how such a massive confinement could take place during two generations. From the Solovki in the north-west to the Kolima in Siberia, from Lenine to Kroutchev, a polar geography is erected into the Gulag system. One does not escape from camps. After ten years of imprisonment, one dies. Some survived, some left traces; they witness: organisation, work and discipline, but also resistance, repression and revolt.
The story of what daily life was like in Poland under communism: private conversations, cruel interrogations, recruitment attempts, recorded and filmed with hidden devices; of how the secret services spied on every activity of ordinary citizens: nothing escaped the brutal system of control developed by the Soviets in the name of freedom.
Emmy Awards nominee for "Outstanding Individual Achievement in a Craft: Research: Multi-faceted portrait of the man who succeeded Lenin as the head of the Soviet Union. With a captivating blend of period documents, newly-released information, newsreel and archival footage and interviews with experts, the program examines his rise to power, deconstructs the cult of personality that helped him maintain an iron grip over his vast empire, and analyzes the policies he introduced, including the deadly expansion of the notorious gulags where he banished so many of his countrymen to certain death.
The trial of Alfred Plock differed from previous trials in that it did not have an explicitly political background. A group of engineers from the Ministry of Post, Industry, and Standard Electric were charged solely because they wanted to implement a revolutionary technological innovation and turn Prague into the headquarters of a new pan-European telecommunications system. Among other things, they wanted to enhance their country's prestige on the international stage. However, it was precisely this intention that aroused the suspicion of the security authorities and Soviet advisers. They therefore decided to take decisive action.
Vrahem z povolání – Utrpení soudce Karla Vaše
A documentary about the modern controversy between Poland and Russia over Russian prisoners of war from the time when Poland regained its independence, after the First World War.
The forest in Bykovnia near Kyiv hides the remains of more than 30,000 NKVD victims, including several thousand Poles. In 2006, a team of Polish archeologists, with the cooperation of the Ukrainian side, conducted exhumation work there, which confirmed that Poles were buried in the cemetery. At the time, two people whose fathers are believed to be buried there also came to the Bykovsky forest. The film tells the story of the history of the place, the local residents' perception of it, and the search for the fathers' graves.
Věž smrti
Communism: History of an Illusion
Three family cope with having lost their only child in 2008 deadly Chinese earthquake.
Nesmíš plakat
United by an uncompromising struggle as members of the infamous 1970s far-left terrorist group Prima Linea, fugitive couple Sergio and Susanna have become increasingly alienated from the real world. Their luck runs out when Susanna is captured and thrown in jail. Putting his life on the line, Sergio embarks on a radical plan... Loosely based on the memoir by Prima Linea's 'commander' Sergio Segio.
Young teen girl Xiu Xiu is sent away to a remote corner of the Sichuan steppes for manual labor in 1975 (sending young people to there was a part of Cultural Revolution in China). A year later, she agrees to go to even more remote spot with a Tibetan saddle tramp Lao Jin to learn horse herding.
A woman prisoner is harshly incarcerated and suddenly released.
Cameras follow Irish solo sailor Tom Dolan as he attempts to sail single-handed around the island of Ireland, which is one of the toughest feats in sailing.
Nicolas Cage dies all the way from Hollywood to Direct-To-DVD.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.
Tom Angelripper narrates the struggles of the band in the mid-Nineties, his many side projects, and yet another drastic line-up overhaul.
Sequel to the "The Waterfowl People". The author interprets the kinship, linguistic and cultural relationships of the Finno-Ugric peoples. Finns, Vepsians, Votes, Setos, Erzya-Mordvinians, Mansi, Hungarians, Sami, Nganasans, and Estonians appear in the film. The film was shot in 1977 on location in northern Finland, Sapmi, Vepsia, Votia, Mordovia, Khantia-Mansia, Hungary, the Taymyr Peninsula, the Setomaa region in Estonia, and on the Estonian islands of Saaremaa and Muhu. Footage was also shot in 1970 in the Nenets Okrug. The second documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.