Začátky filmových hvězd

Jam Films S is a Japanese omnibus movie. It was released by Phantom FIlm in Japan on January 15, 2005. The movie follows 2002’s Jam Films and its 2004 sequel Jam Films 2. This time around, the overall theme is “S” which stands for succession, success, and special. There are seven shorts, all produced by Ryuhei Kitamura. Included are the shorts Tuesday by Kenji Sonoda, Heaven Sent by Ryuichi Takatsu, Blouse by Hitoshi Ishikawa, New Horizon by Ryo Teshima, Suberidai by Yuichi Abe, Alpha by Daisaburo Harada, and Suit by Masaki Hamamoto.

Eighteen very different stories are told in this horror anthology film, as we get to see time travel, robots, aliens, murder, killer dolls and even the apocalypse.

Vignettes weaving together the stories of six individuals in the old West at the end of the Civil War. Following the tales of a sharp-shooting songster, a wannabe bank robber, two weary traveling performers, a lone gold prospector, a woman traveling the West to an uncertain future, and a motley crew of strangers undertaking a carriage ride.

An anthology of three short stories based in a small blue gazebo.

Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.

Anthology comedy/romance film

In this comedy series, shot in single takes, six young people each experience pivotal moments in their lives that don't quite go as planned and lead to various breaking points as a result.

Anthology horror film with three tales consisting of a killer sex doll, a killer handbag and a parody of Joe D'amato's Anthropophagous.

Three stories adapted from the work of Edgar Allen Poe: 1) A man and his daughter are reunited, but the blame for the death of his wife hangs over them, unresolved. 2) A derelict challenges the local wine-tasting champion to a competition, but finds the man's attention to his wife worthy of more dramatic action. 3) A man dying and in great pain agrees to be hypnotized at the moment of death, with unexpected consequences.

A trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.

Created in the ancient mists of time by the Viking god Loki, four musical demons have left carnage and horror in their wake as they’ve travelled through the centuries, using the vibrations of music as a conduit across time and space. Now, as the harmonic horrors attempt to reunite and bring about the end of the world, can a cop, a hooker, and a warrior from the past defeat these evil spirits before the music stops… forever? A combination of paean and parody, the music-filled INSTRUMENTS OF EVIL pays homage to the low-budget exploitation (or “grindhouse”) films of the ’60s, ’70s, and ’80s, while also poking fun at their notorious excesses and absurdities. Fans of low-budget, B-movie madness will find enjoyment here, but be warned: not only tunes get stuck in your head!

Three stories everyday madness. A retired headmaster angers me when I see the marks of his granddaughter and soon discovers that most education is dominated by bribing. A civil servant who lives a boring life with his wife and his mother in law, and a woman who has been trying for years to get its land in the city plan!

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.

The funny things that happen through the walking by the neighborhood night shift of a kind policeman.

Leroy, Reggie and Cheruce Paloni host a Halloween special full of spooky shorts from a group of up-and-coming animators.

Five directors tackle five short stories playfully tied together in one dark, twisted, humorous film about what goes on behind the door of room 316.

Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.

"Years of Macau" is an anthology film consisting of nine short films set in different years and locations in Macau. They include "Go Back Home", "REC-Last Days", "Sparkling Mind", "The Last Show", "Till the End of World", "The First Cigarette", "A Moment", "Dirty Laundry" and "Summer". All nine directors are from Macau, most of whom were born and raised here. The stories of each film share what the directors feel about Macau using the language of cinema to convey their love for the city.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.