Fragments of a Revolution (Sahneye Tarikh)

What kind of world power is Iran becoming, and how will Western countries deal with it?

Short comedic subject on the history of photography from the daguerrotype to modern amateur photographers.

An 83-year old Belgian man lives in a ramshackle mansion in Antwerp together with his son, who passes his time in the attic. But he is no ordinary old man, rather a photographer who, more than just about anybody else, chronicled the golden era of late 20th Century culture with candid snaps of such movers and shakers as The Beatles, The Stones, Jane Birkin, David Bowie and Frank Zappa – and thousands of others. © Business Doc Europe

In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement ("unrueh") of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.

Queer activist and artist Ajamu prepares to leave Brixton for an exhibition of his work in his hometown, Huddersfield.

Have you ever wanted to take a year traveling the globe? 10-year-old Unai and his family do just that on an extraordinary mission to photograph an endangered animal on each continent in its natural environment. A documentary made by nature photographer Andoni Canela with his family is narrated by his young son who shares his experiences and observations as they camp in jungles, deserts, and glaciers in search of wolves, elephants, lions, bison, penguins, hornbills and crocodiles. Seen through the boy's eyes, their journey across all continents conveys an innocent and unconditional love of nature and reveals an urgency to protect the delicate diversity of our planet's wildlife. Breathtaking cinematography and an insider's view on the daily life of a professional photographer on assignment enhance the documentary's story of a family learning, playing, and living on a trip of a lifetime together.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

An investigation of government censorship in Iran.

Short subject on how fashion is created-- not by the great couturiers, but on the street.

Tetralogía de las Alucinaciones

Bitter Rivals illuminates the essential history - and profound ripple effect - of Iran and Saudi Arabia's power struggle. It draws on scores of interviews with political, religious and military leaders, militia commanders, diplomats, and policy experts, painting American television's most comprehensive picture of a feud that has reshaped the Middle East.

An experimental self-portrait, MMXIII explores phenomenological subtlety, intersections of construct and verité, and the ways in which technology, landscape, and beauty coalesce.

Shot in the Dark is a documentary on three blind photographers: Pete Eckert, Sonia Soberats and Bruce Hall. A documentary on three blind people who devote their lives to creating images. What do they see in their mind's eyes? Do they sense that which we sighted miss, overlook, or don't take into consideration? Their images, as we sighted can see, are extraordinary. "Even with no input the brain keeps creating images," says Pete Eckert. Sonia Soberats states, "I only understood how powerful light is after I went blind." Shot in the Dark is a journey into an unfamiliar yet fascinating realm. "My camera is like a bridge," claims Bruce Hall. All these photographers embrace fantasy, chance, and contingency at a fundamental level. Shot in the Dark enriches our understanding of perception and creation. We all close our eyes in sleep, the sighted and blind alike, and in our dreams - we see.

A unique behind-the-scenes access to NASA’s ambitious mission to launch the James Webb Space Telescope, following a team of engineers and scientists as they take the next giant leap in our quest to understand the universe.

In 1913, two French women, Madeleine Mignon-Alba and Marguerite Mespoulet, traveled to Ireland to create what are widely believed to be the first color photographs of the country.

Julius Shulman: Desert Modern focuses on Shulman's remarkable 70-year documentation of the renowned Mid-Century Modern architecture of the Palm Springs area/ Shulman, at the age of 97, describes with humor and insight his artistic intentions and the back-story to some of his most legendary photographs. He is joined by noted architectural historian Alan Hess and Michael Stern, co-authors of the book, "Julius Shulman: Palm Springs". Stern is also curator of the "Julius Shulman: Palm Springs" exhibition which originated at the Palm Springs Art Museum in February 2008. The flm showcases Shulman's inspired photography of the architecture of Richard Neutra, Albert Frey, John Lautner, E. Stewart Williams, Palmer and Krisel and William Cody, among others. E. Stewart Williams' Frank Sinatra House is featured, as well as Richard Neutra's Kaufmann House, one of the most famous homes in America, largely due to Shulman's iconic 1947 photograph.

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.

Bahram Beyzai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.

He found fame in his teens with images of his native New York, then lost it again.

Henri Cartier-Bresson: The Decisive Moment is an 18-minute film produced in 1973 by Scholastic Magazines, Inc. and the International Center of Photography. It features a selection of Cartier-Bresson’s iconic photographs, along with rare commentary by the photographer himself.