Delhi, Great Capital of India

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

An unconventional, tone-shifting travelogue that stitches together nations of the former Yugoslavia through chance encounters, 1970s rock music, architecture, and inventive editing, Ryan Ferko’s Hrvoji, Look at You From the Tower locates traces of the past in an increasingly fractured present.

"The Karma Killings," is a modern-day crime thriller mixed in with Indian mythology and class warfare. The documentary delves into India's most infamous serial killings and its impact on a nation. Told through the people directly involved, the film unravels the complexities of the case and goes beyond the sensational headlines to present a suspenseful and scary mystery. And has a huge twist - one of the killers maybe innocent?

Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.

A silent 35mm film produced by Ambrosio. It opens with a sweeping view of the Gulf of Santa Margherita, then tours towns in the Tigullio area: Santa Margherita with its hotels and villas, Rapallo and its castle, San Michele di Pagana, and Portofino, still a working-class village with laundry on façades. Scenes include locals, passers-by, children, fishermen, horse-drawn carriages, and notably, women making bobbin lace in Portofino.

In the thick of a controversial war of ideas, two enlightening figures, Sam Harris, an atheist and a critic of religion, and Maajid Nawaz, an Islamist-turned-liberal activist, partake in an engaging dialogue on the state of Islam, its potential reform, the militant ideology of Islamism, and where all this lays in a secular world.

When Tomoko finds some messages for a 'Mr Smith' on a lost mobile phone, she finds herself on an 'Alice in Wonderland' journey through Tokyo's boulevards and back alleys. From the tyranny of symmetry in soaring office blocks - to buildings that look like space-ships, this creative documentary shows us the city's soul.

A Calling to Care is the inspiring story of 55 year-old Grace Stanley, a Canadian nurse who left her home and prestigious career behind to answer a calling halfway around the world in Karachi, Pakistan. Teaching nursing to local women in a strict Muslim culture that forbids them to even to touch men is a formidable task. However, Grace challenges her own values and belief systems to find common ground with her students, helping them to excel and feel respect for themselves in a culture that doesn't respect them. Whether it is getting her hands painted with henna, swimming fully-clothed in the ocean, or marching bravely with them on International Women's Day, Grace bonds with her students in a very special way, and ultimately discovers how the West can learn a lot more from the Third World than she ever thought.

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

A soul-searching filmmaker sets out to make a documentary about the United Arab Emirates' Islamic hotline center, where scholars answer questions and guide people towards the right path according to the Quran. As a friendship blossoms with one of the scholars, the filmmaker's relationship with a Muslim boyfriend makes her question her beliefs and the integrity of her film. This self-reflexive documentary follows one woman's journey to understand Islam and to love, regardless of differences in faith.

As part of the 2017 UK-India Year of Culture, the British Council and British Film Institute share a unique collection of films documenting the sights and culture of a bygone India. Filmed between 1899-1947, and preserved in the BFI National Archive since then, these rare films capture many glimpses of life in India, from dances and markets, to hunts and pageantry.

Seekers of Oblivion explores the exciting life and adventures of Isabelle Eberhardt. Born in Geneva, Switzerland in 1877, Isabelle left Europe for North Africa at a young age. While there, she consorted with tramps, prostitutes, soldiers, murderers and thieves, at times masquerading as a man in orde.

The Unreserved is an inquiry into the lives of passengers who use the Unreserved Compartment, the cheapest way to travel across India on the Indian Railways system. The film portrays the passengers’ aspirations, efforts and opinions through conversations and personal stories.

Original archive catalogue record indicates "maybe be taken from the 1909 film From Portofino to Nervi" but the festival notes indicate the Pasquali & Co intertitles so date unknown. Fragmentary footage of the Ligurian coast between Nervi and Portofino, beginning with two women on a terrace and moving through sites on the Riviera di Levante. A sequence shows Recco, devastated by WWII bombing, with a clear view of the railway viaduct. In Nervi, we see the port, Anita Garibaldi promenade, and Gropallo Tower, followed by nitrate-damaged scenes including Bogliasco bridge, a painter on the cliffs, and farmers loading hay. The film ends with a sunset over the sea. Produced by Pasquali & Co. this print features English intertitles and was part of the Dawson City nitrate find in 1978. A duplicate negative and this print were made in 1980.

Jaw-dropping pomp and pageantry at the 1911 Delhi Durbar

"Fascinating India" spreads an impressive panorama of India’s historical and contemporary world. The film presents the most important cities, royal residences and temple precincts. It follows the trail of different religious denominations, which have influenced India up to the present day. Simon Busch and Alexander Sass travelled for months through the north of the Indian subcontinent to discover what is hidden under India’s exotic and enigmatic surface, and to show what is rarely revealed to foreigners. The film deals with daily life in India. In Varanasi, people burn their dead to ashes. At the Kumbh Mela, the biggest religious gathering of the world, 35 million pilgrims bathe in holy River Ganges. This is the first time India is presented in such an alluring and engaging fashion on screen.

Le Beurre : Du bonheur en motte ?

Following the 2001 terrorist attacks on New York City, one item of clothing has gained a scandalous global reputation: the headscarf. All over the world, a major debate is going on about whether Muslim women should be allowed to wear the headscarf in public.

Military occasions around India and Pakistan, featuring the Khyber Pass, Srinagar, Rawalpindi and Peshawar.

Made by an English family living in north India during the heyday of the Raj, this amateur film reveals the grandeur in which middle-class English colonials lived.