Call Me Captain

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

This Traveltalk series short visit to New Zealand starts in Auckland, a bustling, modern city. Next is Christchurch, home of Canterbury University, where rowing teams participate in a regatta. Nearby is Lake Wakatipu, which inspires artists to put their impressions on canvas. We then visit Rotorua, a city famous for its geysers, hot springs, bubbling mud pools, and other geothermal activity. At Ferry Springs there is lots of trout for fishing. Later, a group of natives performs a canoe dance.

This Traveltalk series short gives a glimpse into South African history, albeit from a white person's viewpoint. South Africa is a union of four separate states: the Transvaal, the Orange Free State, Natal, and the Cape Provence.

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

In 1967, a young David Lynch grabbed his new Bolex 16mm camera, to film his friend and mentor Bushnell Keeler and brother Dave Keeler sailing on the Chesapeake Bay in Bush's King's Cruiser. This was David Lynch's very first film, which he prefers to call a "home movie". It depicts a man, a painter, who changed David's life forever pursuing the artist's life, which he continues to this day.

A 1962 West German documentary film directed by Hermann Leitner and Rudolf Nussgruber.

A journey through a place of an eternal past; where the grandson of a Jewish partisan sets out to experience the dramatic events and places that shaped his grandfather's war years

A documentary about Göran Schildt and his relationship with the Mediterranean.

A round-up of free events in London, including street entertainers, a puppet show, pavement artists, road menders, a daring demonstration by the fire brigade, an abduction staged by a film company and a military parade.

The vessel is Infinity, a 120-foot hand-built sailboat, crewed by a band of miscreants. The journey, an 8,000 mile Pacific crossing from New Zealand to Patagonia, with a stop in Antarctica. Unlike all the other boats heading to the Southern Ocean, Infinity is no ice-reinforced super-yacht crewed by professional sailors; rather, Infinity lives in the moment and sails on a whim. What can be found in abundance on board is blood, sweat, enthusiasm, risk tolerance, disdain for authority, and an ample supply of alcohol – all in all a mad voyage of reckless adventure just for the sheer joy of it. Along the way the crew will battle a hurricane of ice in the Ross Sea, assist the radical environmental group Sea Shepherd in their fight with illegal whalers, and tear every sail they have. At the heart of their journey is a quest for awe and a sense of wonder with the raw power of the natural world.

This year's iHeartRadio Jingle Ball Tour included performances from artists including Cher, Sabrina Carpenter, OneRepublic, Niall Horan, Doechii, Big Time Rush, Jelly Roll, AJR, Pentatonix, Melanie Martinez, Paul Russell and more.

Bruce Lee expert John Little tracks down the actual locations of some of Bruce Lee's most iconic action scenes. Many of these sites remain largely unchanged nearly half a century later. At monasteries, ice factories, and on urban streets, Little explores the real life settings of Lee's legendary career. This film builds on Little's earlier film, Pursuit of the Dragon, to present a comprehensive view of Lee's work that will change the way you see the films.

This award-winning PBS documentary sweeps viewers into a seafaring adventure with a community of Polynesians, as they build traditional sailing canoes, learn how to follow the stars across the open ocean, and embark upon a 2,000-mile voyage in the wake of their ancestors.

A travelogue through the diverse neighborhoods of Madrid, its picturesque streets and its history; and an approach, with a sense of humor, to the lighted signs and advertising slogans of the shops: an unusual portrait of the city and its people.

In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.

This Screenliner short looks at the dress and customs of Nazaré, a fishing village on Portugal's Atlantic coast.

A young family leaves their home on Kauai. It is time to return to the itinerant path from which all things in their uncommon lives come; beginning and ending on a remote dot in the Pacific. They nomadically trace continents to places where waves meet their edges, envoys of aloha. It is what they will learn, what they bring others, what they will pass on to their children in the hyper-expanded classroom, the lab of direct being; a legacy passed from a father to his family.

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

Neil Hollander sailed a ten-meter sailboat nearly 25,000 miles meeting and working alongside those men who still earned their livings using sailboats. This book recalls the authors' experiences with eight surviving craft, all representative of distinct cultures or geographic locations.

Elderly sailor Sven Yrvind takes on a daring solo voyage from Ireland to New Zealand. What seems like a reckless journey on the unforgiving seas is also inner journey that prompts the thought - how do we wish to lead our lives?