Albert

Realm, a virtual reality facility, is quite transparent about the erotic nature of its services: Wall to wall, it is lined with tempting previews of sexy, ready-made experiences. But Realm also offers something more: With the help of data-mining technology, clientele can create virtual facsimiles of real-life places and people. This hyper-personalization is what attracts Cecily, a young woman grappling with a disorienting world and an intense fixation.

A character is inside a cubical room; there is a hole in the roof, which is too high to reach. But pushing on the walls distorts the room in various ways, always appearing to bring the hole closer while still leaving it tantalizingly inaccessible.

The Hypergaussian Wars is an AI-generated feature-length audiovisual work exploring algorithmic warfare, obsolete media and the transformation of images through repetition, saturation and collapse. Built from thousands of generated images, synthetic landscapes and references to 14th–16th century painting, the film stages a continuous conflict between historical visual culture and contemporary computational systems. Fragments of obsolete video games, ruined architectures, military simulations and post-human figures circulate through increasingly unstable environments. Rather than telling a linear story, the film operates as an image system in which visual excess progressively erodes meaning. The Hypergaussian Wars reflects on memory, obsolescence, artificial intelligence and the persistence of images after their original function has disappeared.

Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.

A story of the restoration of land after major destruction.

The film is based on the classical painting by Vincent van Gogh. The painter wanders through the landscape of his paintings a watches scenes from rural life. In the end he gets invited to a country house where he sees the potato eaters. The suggestive film honours van Gogh’s handwriting but shifts it to black and white.

In a world beset by peril, will good prevail? —- an animation set in space.

In a deserted rich house, a couple of amphibians explore their surroundings and follow their primal instincts.

Pitica is a little girl who lives by herself in an old war tank. While preparing a sandwich, she realizes there is a missing ingredient: a tomato. Therefore, she adventures into a dangerous forest in search of the fruit, unaware of what awaits her.

A cryptic young creature takes the train from Dublin to Sandycove, confronting ideas of a splintered self-image, loneliness, and being seen in a fundamentally blind world.

After a magic bell from Tibet is stolen, a little girl and an elephant undertake a dangerous journey to bring the bell home.

Colourful lines and geometric figures move and change to the notes of a disjointed Wilhelmus [Dutch national anthem]. As the film progresses the disjointed music finds its way back to the original and flowing performance of the national anthem. The colours and figures move simultaneously into the shape and the tricolour of the Dutch flag.

It’s a story of a girl dreaming of a fuller life. With the help of a kind stranger, she has to overcome her fears. Her trepidations may appear absurd but are far more serious in their nature.

Two brothers are caught by storm and they are drifted to the greatest whirpool on the world. Due to circumstances they will be forced to fight each other for life and death.

A troubadour is expelled from the city when the queen sees his disfigured face. The palace guards smash his instrument as punishment, but the musician does not lose his determination to continue making music.

A stupid insect, at the lowest level of the food chain, endures its position as prey in the forest. But suddenly, the established order is overthrown. The insect provokes a sequence of accidents of increasing importance.

The caretaker exhausted by everything, his frustrated wife and one totally depressed deer. Their mutual despair leads them to absurd events, because... shit happens all the time.

First entry for Dolly Baby, an upcoming animated franchise. In a dystopian future, Dolly, a reconditioned and outlawed human, seeks refuge in a bar after a bloody fight against several guards. As she tries to catch her breath while pouring a drink, the door of the bar suddenly opens behind her...

The Nazis decided to awaken the dark forces of the Old Prague legends in order to use (and abuse) them to destroy the world. The only one who can stop them is Perak.

Why did you draw? How did you begin to draw? Why did you stop drawing? How did you go back to drawing? Will you keep drawing?