Daughters

A documentary about film noir films made in Los Angeles.

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

Wege Gottes

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

Deep in the forest of Overland Park, Kansas little gnomes made a home. But how did they get there? Experience the feel-good story of paying it forward, one tiny magical house at a time.

Documentary about the German painter Oda Jaune.

In a mountainous but extremely green landscape goats jump over the rocks and laughing children run after them. In this paradise on earth, nomadic families have found their temporary home. From one of these families comes a teenage girl, Shahnaz. The girl should be getting married soon, but her thoughts are focused on the world of literature.

In 1990, seven young male dancers joined Madonna on her most controversial world tour. Their journey was captured in Truth or Dare. As a self-proclaimed 'mother' to her six gay dancers plus straight Oliver, Madonna used the film to make a stand on gay rights and freedom of expression. The dancers became paragons of pride, inspiring people all over the world to dare to be who you are. 25 years later, the dancers share their own stories about life during and after the tour. What does it really take to express yourself?

Unseen footage from the British Deaf Association archives is used to tell the story of the Deaf community's fight for civil rights.

Last Harvest follows the journey of an elderly Chinese farming couple as they are being relocated by the government's mammoth and controversial South-to-North Water Diversion Project.

A roughly beautiful Hilton! gives the viewer a glimpse of life in a modern society, a life that young persons lead.

19 year old Bert sits in the shade of a tree in Yo Park. Cassandra Warrior feeds her daughter Diamond Rose. Daniel Runs Close sweats under the sun at Wounded Knee Memorial site. Kassel Sky Little puts his boots on at the Waters Rodeo. Vanessa Piper is alone in the middle of Badlands. Lance Red Cloud hangs out behind the gas station at night. It is summer and they all live here, at the Pine Ridge Reservation in South Dakota, USA.

Many German products have made it to the top by sporting the label "Made in Germany". But Germany has also succeeded in securing a leading position in Europe by means of a very special service: prostitution. For the very first time, this documentary lifts the lid on how sex tourists from all corners of the globe come to Germany to enjoy a brothel holiday, with punters from Europe, the USA and Asia. The price-performance ratio is internationally as good as unrivalled. For six days and nights, the brothel holidaymakers make their way from one amusement institution to the next. At the top of the itinerary are the so-called flat rate 'whorehouses', where one payment secures as much unlimited sex and drinks as one wants. It's a side of Germany most people have never heard of - let alone seen.

The Darkhad and Soyon Uriyanghai peoples live in a vast valley in Northern Mongolia, much as their ancestors have for centuries. "Taiga" is the record of a long period spent by the German filmmaker Ulrike Ottinger among these people.

A journey inside the world of a legend of modern art and an icon of feminism. Onscreen, the nonagenarian Louise Bourgeois is magnetic, mercurial and emotionally raw-an uncompromising artist whose life and work are imbued with her ongoing obsession with the mysteries of childhood. Her process is on full display in this intimate documentary, which features the artist in her studio and with her installations, shedding light on her intentions and inspirations. Louise Bourgeois has for six decades been at the forefront of successive new developments, but always on her own powerfully inventive and disquieting terms. In 1982, at the age of 71, she became the first woman to be honored with a major retrospective at New York's Museum of Modern Art. In the decades since, she has created her most powerful and persuasive work, including her series of massive spider structures that have been installed around the world.

A moving documentary. The life stories told by immigrants in Paris are often saddening. The hardships they went through and their current uncertainty and difficult situation. No residence permit, fear of the gendarmerie, little money, poor housing. The quality and background of the musicians is many times amazing.

This documentary is an offbeat "road movie" in which acclaimed documentarian Heddy Honigmann travels with, and thereby discovers the stories of, taxi drivers in Lima. In the early 1990s, in response to Peru's inflationary economy and a government destabilized by corruption and Shining Path terrorism, many middle-class professionals used their own cars to moonlight as taxi drivers in order to weather the financial crisis.

In Out Of The Rubble, Woolcock shows how planners grappled with the grimmest poverty imaginable in the post-war era, from Brixton to Glasgow, Islington to Birmingham, believing that tower blocks would transform the lives of those living in decaying slums. She follows the cycle of optimism, building and eventual decline, meeting people who 50 years on bear witness to the effects of housing on real families, striking a contemporary chord with the theme of immigration and gentrification affecting working class communities. The irresistible nostalgia of scenes from the 1950s, 60s and 70s is tempered by a realisation of the force of history at work.

A man is facing a trial for murdering a Latvian union leader, which more likely than not will end with a death sentence. A close-up look at his emotional journey through the trial, imprisonment and beyond.

In “Vital Signs” (1991), Barbara Hammer demonstratively transforms the horror of death into its opposite. She tenderly cares for a human skeleton, feeding it, dressing and caressing it, taking it for walks in the dark cabaret of an intimate relationship beyond death. She confronts pain and fear rather than repressing them.