Aitamaako'tamisskapi Natosi: Before the Sun

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.

Top Gear: Festival Sydney was a special episode of the BBC motoring show Top Gear, featuring the regular presenters Jeremy Clarkson and James May alongside Top Gear Australia presenters Steve Pizzati and Shane Jacobson.

This short experimental documentary challenges stereotypes about Indigenous people in the workplace. Featuring portraits set to a powerful poem by Mohawk writer Janet Marie Rogers, the film urges viewers to go beyond their preconceived notions. As I Am is a celebration of Indigenous people's pride in their work and culture.

American Indians dancing.

With no Forest left to hunt and no land to cultivate, the Maby-Guarani depend on the sale of their handcraft to survive. Three young Guarani filmmakers accompany the daily life of two comunities united by the same history, since the first contact with the Europeans until the intense coexistence with today’s White people.

More than an attachment to our territory, the Innu live a filial relationship with Nitassinan, our ancestral homeland. For so many generations, the land has nourished, cared for and raised us. It has inspired our language, our culture, our lifeway and our vision of the world. Throughout the seasons, our ancestors criss-crossed the territory on foot, by canoe or on snowshoes. They knew every river, lake, or stream; every mountain, hill or bog; every camp, trail and portage path. Nomadism forged our people, and the film will record this journey and our history – past, present and future. And while it will attest to our vitality and resilience it is also – and above all – a tribute and a message of respect for the Earth.

Documentary film version of the stage show in which actress Cynthia Gates Fujikawa explores the story of her father, actor Jerry Fujikawa, who had a long career in films and television, most often as a stereotyped Asian. The daughter, in the course of searching out her late father's history, discovers many things that she had not known, among them that her father had spent time in Manzanar, the internment camp for Japanese-Americans during World War II, that he had had a family prior to hers, and that somewhere out there was a sister she had never known existed.

In North Dakota an Indian nation finds itself at a critical moment in its long history. The Three Affiliated Tribes face catastrophic damage to their land and culture as a result of the recent oil boom on the Fort Berthold Reservation.

When the Tanana River bridge was installed in Salcha, Alaska, the community worried about the levee's effects on fish wildlife. Salcha Elementary School, along with the help of Tanana Valley Watershed Association, conducted a 10-year scientific project with students to study the effects the levee had on Piledriver Slough. Tori Brannan - the filmmaker's mother - is a retired principal at Salcha Elementary and was the project's centerpiece. She shares her experiences with the project, the community, and how her daughter's involvement strengthened their relationship.

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

During a camping weekend, Indian filmmaker Poorva Bhat tries to find the right way to discuss consent with her two children. In the intimacy of the tent, the three find the safe space needed to explore together the innocence or otherwise of looks and gestures, both in everyday life and in the cinema.

In America, everyone has a family story of immigration. Every family, at some point, has had somebody leave their native country behind to search for a better life. How did they hold onto their identity? How did they adapt to their new life? Every family has a special story. In my case, it's my Chinese-American story. My father would always tell us his story about walking for 7 days and 6 nights, before swimming for 4 hours to Macau to escape communism in 1966. His story would fall on my deaf ears until I returned to China with him.

As filmmaker Maria Carolina Telles comes to terms with the death of her father, a man who regretted never making it to the frontlines of World War II, she focuses her lens on the life of another man who had his own unique experience as a civilian in the midst of combat: award-winning war photographer André Liohn.

Walter Littlemoon attended a federal Indian boarding school in South Dakota sixty years ago. The mission of many of these schools in 1950, was still to “kill the Indian and save the man.” The children were beaten, humiliated or abused if they spoke their language or expressed their culture or native identity in any way. The trauma led many to alcoholism and violence in adulthood. At age 58, Walter began writing his memoirs as a way to explain his own abusive behaviors to his estranged children, but he could not complete the project without confronting the “thick dark fog” of his past so he could heal.

Four people - Brittany, Hannah, Nick, and Ylonda - tell their stories about how access to abortion in their community helped them empower themselves to lead lives they want to live.

Bearing Witness Native American Voices in Hollywood

The story of a town at the mercy of a landscape in transformation; standing on the brink of an encroaching reality, one in which the age-old fears of the inhabitants are being reproduced. A hamlet has survived, perched in a remote location where its children can grow up and the elderly can die and stay there.

In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.