Abrição de Portas

In this short film, Ivan Cardoso records Brazilian film director Rogério Sganzerla sending a message to Brazil.

The documentary Migliaccio - O Brasileiro em Cena follows the path of those who take risks for the art, either as directors, as writers, as scenographers and even as costume designers. The Oscarito trophy received by Flávio Migliaccio in 2014 Gramado Film Festival crowns a career enmeshed by many threads. Since Migliaccio has performed in different fields of art - from cinema and theater to literature and drawing -, the documentary creates varied visual interventions to enchain the narrative, in addition to the interviews and archive pictures, such as a shadow play to represent his humble childhood, and to the cartoons the artist drew to portray his existential questions in his ranch in Rio Bonito (State of Rio de Janeiro). Images and stories that aim to show a professional and personal life pervaded by possibilities and attitudes, both artistic and political.

Doces Relatos

Documentário Brasil Tupinambá

Brazil is one of the most dangerous countries for environmentalists. The rural community of Belisário holds the country's second largest bauxite reserve, right below one of the most bio-diverse areas in the world: the Atlantic Forest. The small community was shaken when the beloved Gilberto, a Franciscan Friar, received a death threat followed by the lines: "you've been talking against mining way too much". PT: O Brasil é um dos países mais perigosos do mundo para defensores do meio ambiente. Em Minas Gerais, a comunidade rural de Belisário abriga a segunda maior reserva de bauxita do país, em uma das áreas de maior biodiversidade do mundo: a Mata Atlântica. A tranquilidade do pequeno vilarejo foi abalada quando Frei Gilberto, um franciscano que dedica sua vida à preservação da natureza, recebeu uma ameaça de morte com o seguinte aviso: "você tem falado demais contra a mineração".

O Vozerio

New work by singer Samuel Mariano, recorded live at the PE 60 Convention Center - Cabo de Santo Agostinho - PE.

Buying the game

Othelo, O Grande

Dos Antigos aos Filhos do Amanhã

Urban Rhythms is a short experimental film that explores the vibrant and diverse cultural tapestry of São Paulo, Brazil. The film aims to capture the essence of the city's energy, blending visual and auditory elements to create a unique sensory experience.

Balcão

In Rio de Janeiro City and its outskirts, LGBTQ+ youth of color recreates Ballroom culture on their own terms. A portrait of the dramas, the voguing performances, and the art of shade, 50 years after its inception in New York. Rio is burning!

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

Que tal a vida, camaradas?

Passatempo

Gerais da Pedra

Papel de Parede

Arte Sergipana com Vontade e Representação

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.