Denise, Dilma and Teresinha are three women with visual impairment who live in Teresina. Each one with a type of impairment, they share their experiences, challenges and hopes as women who feel the world beyond what their eyes can see.
The last days of the Feitosa family circus. Iracema and her family share their life experiences in a meta-documentary that explores the making of two types of artistic production and their respective crisis: Circo Young and LabCine Collective, responsible for this movie.
Sarah Farias - Vivendo a Novidade
Dirlinho and his cousin’s childhood is marked by deprivation and violence. They try to escape by working as jockeys. While the punters bet on them, they gamble with their lives for a better future by riding doped horses.
New work by singer Samuel Mariano, recorded live at the PE 60 Convention Center - Cabo de Santo Agostinho - PE.
The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.
Abrição de Portas
Ave Maria ou Mãe dos Sertanejos
La Ursa
Drag Queens em Cena: A Expressão de Almas Artísticas
Cine-Guarany
Barreiras: Histórias e relatos de pessoas com deficiência frente ao capacitismo
Deus Vult
Antonico: Por Onde Andam os Migrantes Nordestinos?
Future Brazilian film of 2024, based on the 1955 play Auto da Compadecida by Ariano Suassuna. It is a continuation of O Auto da Compadecida from 2000.
O Legado
Inácio Garapa, Um Matuto Sonhador 2 - O Retorno
Borra de Café
When bandits take the town of Sertânia, Antão gets shot, arrested, and left to die. Bleeding out, Antão's delirious mind begins to recall the events that led up to the incident through a sequence of increasingly unreliable fever dreams.
Gonzaga's music -17 e 700- inspired the story of Luiz, an angry and miser Man! When he goes out to have a drink with his friends, he doesn't imagine that an argument could end up bringing back the dead with thunder!