Denise, Dilma and Teresinha are three women with visual impairment who live in Teresina. Each one with a type of impairment, they share their experiences, challenges and hopes as women who feel the world beyond what their eyes can see.
The last days of the Feitosa family circus. Iracema and her family share their life experiences in a meta-documentary that explores the making of two types of artistic production and their respective crisis: Circo Young and LabCine Collective, responsible for this movie.
Dirlinho and his cousin’s childhood is marked by deprivation and violence. They try to escape by working as jockeys. While the punters bet on them, they gamble with their lives for a better future by riding doped horses.
New work by singer Samuel Mariano, recorded live at the PE 60 Convention Center - Cabo de Santo Agostinho - PE.
La Ursa
Drag Queens em Cena: A Expressão de Almas Artísticas
Abrição de Portas
Cine-Guarany
Deus Vult
Barreiras: Histórias e relatos de pessoas com deficiência frente ao capacitismo
The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.
MARCIANO
Sarah Farias - Vivendo a Novidade
Ave Maria ou Mãe dos Sertanejos
Antonico: Por Onde Andam os Migrantes Nordestinos?
After 20 years missing, João Grilo returns to Taperoá to join his old friend Chicó and, after his story of resurrection spreads, he is disputed as an electoral candidate by the two most powerful politicians in the city.
Gonzaga's music -17 e 700- inspired the story of Luiz, an angry and miser Man! When he goes out to have a drink with his friends, he doesn't imagine that an argument could end up bringing back the dead with thunder!
O Legado
América, do Sul
When bandits take the town of Sertânia, Antão gets shot, arrested, and left to die. Bleeding out, Antão's delirious mind begins to recall the events that led up to the incident through a sequence of increasingly unreliable fever dreams.