Devil Dancers of Sikkim

In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.

Shot over three years, Pariah Dog paints a kaleidoscopic picture of the city of Kolkata, seen through the prism of four outsiders and the dogs they love. These men and women have found meaning and purpose in their shared mission to care for neglected street dogs, who have existed in the towns and villages of India for thousands of years. For some this mission is enough, for others, dreams of a better life are always near.

A sex columnist gains popularity even while a ban on comprehensive sex education in schools is adopted by approximately a third of India’s states.

A 1962 West German documentary film directed by Hermann Leitner and Rudolf Nussgruber.

Lord Lytton takes up the post of Governor of Bengal.

This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.

A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.

The gang embarks on a trade mission to India. Equipped with three old British cars and a range of uniquely British products, they set off on an epic road trip across one of the world's most fascinating and challenging countries.

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

The making of the James Bond movie Octopussy (1983) in Udaipur, India during 1982.

Wheel of Time is Werner Herzog's photographed look at the largest Buddhist ritual in Bodh Gaya, India.

In the Frozen Tomb of Mongolia

Jag Mandir is a quiet and often overlooked film in the vast oeuvre of Werner Herzog. Apparently, 20 hours of footage was shot that covered the whole fest and the film hardly presents us a twentieth of that. A native walking into the film in between may well fail to immediately realize that it is his country that is being shown and these are figures from the mythology of various sections of his nation. The bulk of the film consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace of Udaipur, Rajasthan staged by André Heller.

With the construction of the Indian planned city of Chandigarh, the Swiss and French architect Le Corbusier completed his life's work 70 years ago. Chandigarh is a controversial synthesis of the arts, a bold utopia of modernity. The film accompanies four cultural workers who live in the planned city and reflects on Le Corbusier's legacy, utopian urban ideas and the cultural differences between East and West in an atmospherically dense narrative.

As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.

Somi is pregnant with her second child. A girl, she hopes. Together with her husband she prepares for this new phase of their parenthood. It means that their son has to go to school, but as an ex-Naxalite that is tough to achieve in contemporary India, where people like them are third-rate citizens. They lack the certificates and an opaque bureaucratic process doesn't help. Directors Isabella Rinaldi, Cristina Hanes and Arya Rothe of the NoCut Film Collective concentrate on Somi's close family ties, painting a portrait of ex-Naxalites in India. Once, Somi and her husband were communist rebels fighting for the rights of Indian tribes. However, to safeguard their family's welfare, they surrendered to the government in exchange for marginal compensation and simple accommodation.

Phoolan is a documentary film about the extraordinary life of a village girl, gang-rape survivor, bandit leader, and finally parliamentarian. This is the story of one woman’s fight against incredible odds for justice and dignity. Known as India’s Bandit Queen, Phoolan Devi is considered by many to be one of the most extraordinary and controversial women of our time.

The story of the short life, and brutal gang rape and murder in Delhi in December 2012 of an exceptional and inspiring young woman. The rape of the 23 year old medical student by 6 men on a moving bus, and her death, sparked unprecedented protests and riots throughout India and led to the first glimmers of a change of mindset. Interwoven into the story line are the lives, values and mindsets of the rapists whom the film makers have had exclusive and unprecedented access to interview before they hang. The film examines the society and values which spawn such violent acts, and makes an optimistic and impassioned plea for change.

Bruce Lee expert John Little tracks down the actual locations of some of Bruce Lee's most iconic action scenes. Many of these sites remain largely unchanged nearly half a century later. At monasteries, ice factories, and on urban streets, Little explores the real life settings of Lee's legendary career. This film builds on Little's earlier film, Pursuit of the Dragon, to present a comprehensive view of Lee's work that will change the way you see the films.

In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.