Old Barak

The making of the James Bond movie Octopussy (1983) in Udaipur, India during 1982.

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.

This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.

This film travels over open books, looted objects and postcards to look for the imperial foundations of the world in which we live. Within this wide landscape the film focuses on the destruction of the Jewish Muslim world that existed in North Africa, making it imaginable and inhabitable again. Narrated in the first person, by an Algerian Jew and a Palestinian Jew, the film refuses imperial histories of those places. Objects held captive in museums and archives outside of the places from where they were looted are only the visible tip of the iceberg of the mass colonial plunder of Africa. The film explores the substantial wealth accumulated through the extraction of raw materials, labour, knowledge and skills, including the “visual wealth” attained by putting people in front of the colonisers’ cameras.

A documentary exploring the "respectable" and "immoral" stereotypes of women in Indian society told from the point of view of 2 strip-tease dancers in a cabaret house in Bombay.

Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.

A 1962 West German documentary film directed by Hermann Leitner and Rudolf Nussgruber.

A collection of amateur films made by photographer Roderic Vickers and friends.

The remote island of St. Helena, a British possession located in the south Atlantic, is perhaps best known as where Napoleon Bonaparte was exiled/imprisoned for the final six years of his life and where he died in 1821. His legacy on the island remains today, despite his body being disinterred and moved back to France in 1840. His home was at Longwood, one area of the island now ceded to the French in respect of its former resident. The island was discovered and named by the Portuguese in 1502. Until the British took over, many other European countries had or wanted possession of the island because of its location along natural trade routes. Jamestown is the island's only port, named after King James. With 4,000 inhabitants, St. Helena is self supporting, growing primarily potatoes and flax. However, its primary economic generator is the sale of the rare St. Helena postage stamp.

Lord Lytton takes up the post of Governor of Bengal.

In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.

Passionate about ocean life, a filmmaker sets out to document the harm that humans do to marine species — and uncovers an alarming global conspiracy.

With the construction of the Indian planned city of Chandigarh, the Swiss and French architect Le Corbusier completed his life's work 70 years ago. Chandigarh is a controversial synthesis of the arts, a bold utopia of modernity. The film accompanies four cultural workers who live in the planned city and reflects on Le Corbusier's legacy, utopian urban ideas and the cultural differences between East and West in an atmospherically dense narrative.

This Traveltalk series short visits Hungary's capital, Budapest.

Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.

A documentary about the end of the colonial era in Africa, portraying acts of animal poaching, violence, executions, and tribal slaughter.

There is an interlinking history of violent European colonialism and the cultural legacy of ethnographic collections in institutions. This documentary traces the progression of colonial history from the Berlin Conference of 1884-85 to the systematic elimination of cultural traditions, religions and lifeways which would occur sporadically through genocides and warfare until the early 20th century throughout the African continent—surveying the inquiries and movements for historical justice, the relationships between European institutions and colonial violence and following enduring struggles against these organisations to regain what was taken.