Old Barak

"The Karma Killings," is a modern-day crime thriller mixed in with Indian mythology and class warfare. The documentary delves into India's most infamous serial killings and its impact on a nation. Told through the people directly involved, the film unravels the complexities of the case and goes beyond the sensational headlines to present a suspenseful and scary mystery. And has a huge twist - one of the killers maybe innocent?

This is a silent film, with a musical soundtrack, shot during a boat journey along the waterways of Kashmir that took him to the festival. Using the simplest equipment, a Super-8-camera with a special lens, and directing his attention at simple things--the rhythmic splashing of a heart-shaped oar, the sparkle of evening sun on still waters--Albert Falzon has captured the timeless slow motion of Northern India.

Working from archives of private film footage from a trip to India by the upper class of the late 1920s, a period of strong anti-colonial outbreak, Yervant Gianikian and Angela Ricci Lucchi deconstruct the images and analyze the attitude and behavior of Westerners in the East.

This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.

How African artists have spread African culture all over the world, especially music, since the harsh years of decolonization, trying to offer a nicer portrait of this amazing continent, historically known for tragic subjects, such as slavery, famine, war and political chaos.

A visit to Singapore, an essential port city in Britain's empire, established in 1813 when Raffles negotiated its separation from the independent Malay state of Jahor. The camera observes Singapore's traditional neighborhoods, trade, and small craft, which are dominated by people of Chinese ancestry. Then, we drive the modern causeway to Jahor's small capital, Johor Bahru, for a look at imposing buildings and a visit to the grounds of the sultan. The sultan's son invites the crew in, and we meet the sultan, "H.H." himself. The narrator relates the sultan's commitment to commerce, economic well-being, and tolerance, stemming in part from his European education.

This Traveltalk series short takes the viewer to Alaska, focusing on the cities of Sitka and Juneau.

This Traveltalk series short takes viewers on a tour of old New Mexico. Starting in Santa Fe, the oldest state capitol in the USA, the city existed long before European migration. It's unique architecture is its most prominent feature. There are several archaeological sites trying to date when Indians first settled in the area. Seven percent of the population are of Indian origin. Near Taos is the onetime home of Kit Carson whose grave is one of the sacred shrines of New Mexico. The Navajo live on their 14 million acre reservation and continue their traditional way of life.

This Traveltalk series short introduces the viewer to Alaska.

This Traveltalk series short visit to Kentucky starts with a view of the Cumberland River, which flows for about 700 miles through the state. The first stop is Old Fort Harrod State Park, which has a replica of the original fort, the first permanent white settlement in the state. We then visit the grave sites of two of Kentucky's favorite sons, Henry Clay in Lexington and Daniel Boone in Frankfort. At My Old Kentucky Home State Park, we see the mansion and grounds that inspired composer Stephen Foster to write the song most associated with the state. We then visit three horse farms in the area of Lexington, the state's horse racing capital: Spindletop Farm; Faraway Farm, where we are introduced to Man o' War, the greatest racehorse of the 20th century; and Elmendorf Farm, where Man o' War's sire and dam, Fair Play and Mahuba, are buried.

The drive from Riverside, California to Phoenix, Arizona is affectionately known as the Cactus Trail. Starting in Riverside, sights of note include: the Mission Inn in Riverside whose unique style was the brainchild of Frank Miller; the Chapel of St. Francis in Riverside, which because of its dedication to aviation is the site of many weddings associated with aviators; the Camelback Mountain outside of Phoenix, so named for its shape.

This Traveltalk series short starts off in Denver, capital of Colorado. Known as a recreational and health center, it is noted for its beautiful parks. The Museum of Natural History has specimens of local animal life. About an hour's drive from Denver on Lookout Mountain is the grave of Col. William Cody, 'Buffalo Bill', known as a scout and a plainsman. In Colorado Springs, there is a monument to the great American humorist Will Rogers who loved the stretches of open country. Much of the mountain area of Colorado is owned by the Federal government as national forest and there are many well stocked trout streams. In Mesa Verde National Park you will find the cave dwellings once used by Native Americans.

A tour of Salt Lake City, Utah.

A visit to the structures built by the ancient Mayans at Chichén Itzá, on the Yucatán Peninsula.

This Traveltalk series short visits two of the most important cities on Mexico's Yucatán Peninsula.

We begin this short visit to Guatemala at the port town of Livingstone, then journey up the Rio Dulce. We stop to watch men tap the trees, harvest the sap, and load the product onto small planes. At a local market, we see indigenous life much as it's been for hundreds of years. Then it's back to the coast, to the prosperous Isla de Flores, a trading island.

This film travels over open books, looted objects and postcards to look for the imperial foundations of the world in which we live. Within this wide landscape the film focuses on the destruction of the Jewish Muslim world that existed in North Africa, making it imaginable and inhabitable again. Narrated in the first person, by an Algerian Jew and a Palestinian Jew, the film refuses imperial histories of those places. Objects held captive in museums and archives outside of the places from where they were looted are only the visible tip of the iceberg of the mass colonial plunder of Africa. The film explores the substantial wealth accumulated through the extraction of raw materials, labour, knowledge and skills, including the “visual wealth” attained by putting people in front of the colonisers’ cameras.

If Only I Were That Warrior is a feature documentary film focusing on the Italian occupation of Ethiopia in 1935. Following the recent construction of a monument dedicated to Fascist general Rodolfo Graziani, the film addresses the unpunished war crimes he and others committed in the name of Mussolini’s imperial ambitions. The stories of three characters, filmed in present day Ethiopia, Italy and the United States, take the audience on a journey through the living memories and the tangible remains of the Italian occupation of Ethiopia — a journey that crosses generations and continents to today, where this often overlooked legacy still ties the fates of two nations and their people.

James A. FitzPatrick takes a look at colorful Guatemala.

Palestro, Algérie : Histoires d'une embuscade