Omegäng

They just arrived in France. They are Irish, Serbs, Brazilians Tunisians, Chinese and Senegalese ... For a year, Julie Bertuccelli filmed talks, conflicts and joys of this group of students aged 11 to 15 years, together in the same class to learn French.

Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.

In this short documentary, a Musqueam elder rediscovers his Native language and traditions in the city of Vancouver, in the vicinity of which the Musqueam people have lived for thousands of years. Writing the Land captures the ever-changing nature of a modern city - the glass and steel towers cut against the sky, grass, trees and a sudden flash of birds in flight and the enduring power of language to shape perception and create memory.

The documentary proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.

How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

Three images of a person running in the void through the movement of speed and abstract images

The celebration of a city is held every year and nostalgia is the main guest. Around the city there is nothing but ruins and in the distance, four men walk the streets of a city that was once great.

Victor Klemperer (1881-1960), a professor of literature in Dresden, was Jewish; through the efforts of his wife, he survived the war. From 1933 when Hitler came to power to the war's end, he kept a journal paying attention to the Nazis' use of words. This film takes the end of 1945 as its vantage point, with a narrator looking back as if Klemperer reads from his journal. He examines the use of simple words like "folk," "eternal," and "to live." Interspersed are personal photographs, newsreel footage of Reich leaders and of life in Germany then, and a few other narrative devices. Although he's dispassionate, Klemperer's fear and dread resonate

For 50 years, controversial ethnographer John Peabody Harrington crisscrossed the United States, frantically searching and documenting dying Native American languages. Harrington amassed over a million pages of notes on over 150 different tribal languages. Some of these languages were considered dead until his notes were discovered. Today tribes are accessing the notes, reviving their once dormant languages, and bringing together a new generation of language learners in the hope of saving Native languages.

The movie explores the origin of the Ukrainian language and persecution of those who defended its authenticity. Using examples of other countries, creators of the film prove that a nation cannot exist without a language.

The world's largest island has been part of Denmark since 1721, but a significant majority of the 56.000 inhabitants now want independence. They feel their culture and language is threatened and is the main reason for the many suicides among young people. But the Danish speaking Greenlanders feel discriminated and want to keep the ties to Denmark. The film follows four strong young Greenlanders, who each in their own way insist on taking responsibility for the future of their country. The documentary explores the difficult balance between the right to self-determination and xenophobic nationalism. Between traditional culture and globalization.

What if you are made to feel ashamed when you speak your "mother tongue" or ridiculed because of your accent? "Pidgin: The Voice of Hawai'i" addresses these questions through its lively examination of Pidgin - the language spoken by over half of Hawai'i's people.

DELETE is a short experimental film about inventing a language that can erase other languages, memories, identities and digital traces.

The joys of 1960s modern education - as seen at a not-exactly-typical local comp.

There are over 6,000 languages in the world. We lose one every two weeks. Hundreds will be lost within the next generation. By the end of this century, half of the world's languages will have vanished. Language Matters with Bob Holman is a two hour documentary that asks: What do we lose when a language dies? What does it take to save a language?

Michel Thomas is one of the most brilliant language teachers in the world. His usual clients are movie stars and business leaders. This programme takes him to a Sixth Form College in London to work with school pupils, to test his claim that he can teach anyone a language in a week - with no reading, writing or homework. The film also explores his personal history - as a hero of the French Resistance during WW II. Nigel’s documentary with the 85 year old Michel Thomas was the first time that Thomas allowed his techniques to be made public. The subsequent success of the film transformed Thomas into a global celebrity and his method into one of the most highly regarded in the world of education.