An in-depth look at how a diabetes drug reinvented weight loss culture and the way we treat obesity in America.
Le Beurre : Du bonheur en motte ?
Filmmaker Connor Luke Simpson explores the underground-and often misunderstood-subculture known as feederism. A community where the fatter you are, the sexier you are.
Leaving their hometown of Fulchester in the North of England, Sandra and Tracey head for the bright lights of London, shagging and boozing their way to fame and fortune.
Harry is a pickpocket, torn between two beloved women, one of them the cop who arrested him, the other the ghost of his dead wife. Is Harry ready for a new relationship? Can a cop date a thief? Harry learns that a jealous ghost can be a nuisance, but shows unexpected bravery.
An action comedy centered on Blubberella, an overweight half-vampire woman whose footsteps cause explosions and whose dual swords are used against anyone who makes fun of her. She must face an army of undead Nazi soldiers in her valiant struggle against bloodshed and tyranny.
A clumsy oversized cyclist causes chaos.
The film is a narrative from the screenwriter, consisting of perverse scenes.
Mudança: ou a emocionante história de superação de um sedentário
A couple discuss where they want to go to eat for dinner
Velvet Underground's first public appearance.
Footage from 1964-1968 that did not find its way into the Walden reels is joined in this classic period piece. Mostly centered in New York, it also includes travel footage and appearances by David Wise, Salvador Dali, Allen Ginsberg, Jack Smith, Shirley Clarke, Jane Holzer and more. Mel Lyman plays his banjo on the roof.
During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.
The film is arranged in six chronologically-ordered parts, each filmed in a different location during Oona's third year.
Documentary short on the Octoberfest in Munich.
This is a video record of the Buddhist Wake ceremony at Allen Ginsberg's apartment. You see Allen, now asleep forever, in his bed; some of his close friends; and the wrapping up and removal of Allen's body from the apartment. You hear Jonas' description of his last conversation with Allen, three days earlier. You see the final farewell at the Buddhist temple, 118 West 22nd Street, New York City, and some of his close friends: Patti Smith, Gregory Corso, LeRoy Jones-Baraka, Hiro Yamagata, Anne Waldman, and many others.
This is a mini-portrait of one of the legendary figures of the 60s who should be credited for the discovery of the Velvet Underground, for saving Bob Dylan's mind after the motorcycle crash, for her pioneering sound/image installations, for keeping the New York Sixties' art community together, for one of the key works of erotic cinema Christmas on Earth, and etc. and etc.
Jonas Mekas documents Timothy Leary’s Millbrook estate in the wake of a police raid, juxtaposing serene images of the property with audio of officials justifying their actions. Blending diary footage with subversive reportage, the film exposes the gap between perception and authority, offering an oblique portrait of the counterculture and its suppression.
Filmed in 1950 soon after Jonas Mekas arrived in New York, this short documents everyday life in Williamsburg, Brooklyn. It was the first film he shot with his 16 mm Bolex camera, but he did not edit and present the footage until 2003, making it both his earliest and one of his final works on film.
Håndværkerskolen: Brolægger