Paris ABC

In a follow-up to his 2021 short, SUMMER, Liam once again spends the duration of a summer filming, editing, and releasing a single shot every day. Things have changed or have they?

Filmmaker Julia interviews people who photograph sunsets. During filming, a man demands that she deletes the pictures of him. When she refuses, an argument ensues.

Aya grows up with her mother on the island of Lahou. Joyful and carefree, she likes to pick coconuts and sleep on the sand. However, her paradise is doomed to disappear under the waters. As the waves threaten her house, Aya makes a choice: the sea can rise, but she will not leave her island.

An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.

Capital is dead labor that, like a vampire, lives only by sucking up living labor; and the longer it lives, the more work it sucks.

By the end of the weekend, nothing has truly changed. Ekin remains the same, the Anatolian side of Istanbul remains the same. Set in 2020s Istanbul, the film follows Ekin, a young adult living with his mother whose days revolve around searching for a place to live, at least as he tries to believe. As childhood memories, friendships, and new encounters linger in the streets, anxiety quietly grows, and after sleep, life resumes exactly where it left off.

Issa, a footballer from Guinea-Bissau who plays in Portugal, is contacted by two filmmakers who want to know more about his life and make a documentary. Exposing the voices behind the camera, Nha Sunhu is a reflection on the gaze, bias, and representation of the other.

Autumn 1977: the Bernese officer trainee Flükiger is found dead. Who is to blame for his death? The RAF or the Béliers, was it an accident or intentional? The director goes in search of clues and tries to shed light on the mysterious events surrounding the vote to form the Canton Jura.

A radio DJ in pursuit of an exclusive interview follows ABBA during their mega-successful tour of Australia.

A century after a village and its paper mill were abandoned, a group of actors is tasked with recreating the fantasized daily life of its inhabitants.

In this hybrid docu-fiction, a group of young male rappers is invited to a tropical beach resort to participate in a film project under the guidance of an absent auteur. Without a script or assigned roles, they spend their days sunbathing and their nights producing music, aiming to advance their careers. As time progresses, the lack of direction leads to confusion and frustration among the musicians. Gradually, each is engulfed by profound and unsettling dreams, blurring the lines between reality and imagination.

In his motor home, while drinking too much wine, an old “Shlappsteur” (a luxury event waiter) shares anecdotes about the job that ate up his whole life. Funny, rough or melancholic, his memories materialize before our eyes and paint, piece by piece, the portrait of a life dedicated to work.

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.

In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.

Amaranta

Tells the story of the greatest natural disaster of the ancient world, an event that experts believe inspired the legend of Atlantis.

A Lebanese immigrant returns to Beirut for the first time in a decade, only to find love and horror by the sea, in the alleyways, and on the elusive rooftops of the city - right before the 2020 Beirut Port Explosion.

On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.

Stefan reunites with his family to celebrate his grandmother's birthday for the first time after his mother's recent passing. This homecoming, driven by his urge to complete a film about his mother and an attempt to make amends by rescuing a stray dog, will ignite an introspective journey for Stefan. Inspired by the director's real-life experiences and starring his actual family members in a mission to complete a lake house and a film, this is an intimate cinematic exploration of the timeless mother-son relationship.