Paris ABC

Based on real near-death experiences, the afterlife is explored with the guidance of New York Times bestselling authors, medical experts, scientists and survivors who shed a light on what awaits us.

Issa, a footballer from Guinea-Bissau who plays in Portugal, is contacted by two filmmakers who want to know more about his life and make a documentary. Exposing the voices behind the camera, Nha Sunhu is a reflection on the gaze, bias, and representation of the other.

"All Five Millions of Us" is a hybrid of documentary and fiction feature film about father absence, based on data released by the National Council of Justice: there are 5.5 million children without paternal recognition in Brazil.

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

Capital is dead labor that, like a vampire, lives only by sucking up living labor; and the longer it lives, the more work it sucks.

'Atlal (Remnants)' is a fictional documentary that follows Bassam, a Palestinian man in his fifties, on a journey between the past and present. An abandoned school, the remains of a beach club, and a dusty cinema hold Bassam's cherished memories from his life in Qatar. Through personal archives and interviews with Bassam and his wife, Laila, we get a deeper look into their stories—slowly revealing the dismaying thoughts behind Bassam's nostalgia.

Conversations between a mother and her son on their way back home from work in the course of a couple of days.

An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.

Autumn 1977: the Bernese officer trainee Flükiger is found dead. Who is to blame for his death? The RAF or the Béliers, was it an accident or intentional?

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

The idyllic life of a young Cajun boy and his pet raccoon is disrupted when the tranquility of the bayou is broken by an oil well drilling near his home.

Iranian musicians Negar and Ashkan look for band members to play at a London concert ... and the visa that allows them to leave Tehran to do so.

In this documentary, we are invited to the mind of the elderly Hiam, a Palestinian woman from Nazareth. The mundanity of everyday life gives us a few sentimental glimpses of Hiam's past and present through the eyes of the filmmaker Juna Suleiman, her granddaughter.

A gorgeous woman allegedly ruins a neurotic man's youth, leading him to reminisce about his life of chaos and desolation.

On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.

A vlogger's bid for virality leads her to experiment with a depression-inducing pill, all while she grapples with the aftermath of her fractured relationships.

A Chinese Canadian son sets out to make a film on his mother, who was once known as the first ever Chinese Opera Singer to have performed Pingju Opera in English in late 1980's China.

A film based on one of the world's greatest pioneers Dr. Babasaheb Ambedkar.