Um Dia Sem Sal

Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.

A video essay that seeks to represent, study and pay homage to the North American filmmaker Cecelia Condit, covering all of her film work and video installation, portraying her through devices of semiotics, aesthetics and cinematographic language.

Where's the girl? Can you hold her for me? I need her now.

Nereu is an upper-middle class university student. He is a young gay man trapped in a time that is not his. Antônio is less idealistic.

An audiovisual Haikai in homage to Queer Cinema made with fragments of important films to the movement.

Experimental university short film about the dreams of the character Maria.

Experimental university short film inspired by grief, the passage of time and the filmmaking process

In this haiku-film, Giordanno Bottezini recounts his experience with death from Rabies Lyssavirus and the split-second moment between the complete deterioration of the brain and death; a moment after existence but included in experience.

A Video Essay on the work of director Franz Zwartjes.

Experimental-poetic short film that portrays the director's mourning through a haiku film that has only three shots.

“Life After Pi” is a short documentary about Rhythm & Hues Studios, the L.A. based Visual Effects company that won an Academy Award for its groundbreaking work on “Life of Pi”– just two weeks after declaring bankruptcy. The film explores rapidly changing forces impacting the global VFX community, and the Film Industry as a whole. This is only the first chapter of an upcoming feature-length documentary “Hollywood Ending,” that delves into the larger, complex challenges facing the US Film Industry and the many professionals working within it, whose fates and livelihood are intertwined.

Documentary short film intended to drum up support for the Fifth War Loan Campaign. It shows a happy family in the future of 1960 enjoying the prosperity and advantages made possible by the successful prosecution of the war, and how the sacrifices of 1944 have made the world a better place.

Three years in the making in conjunction with the BBC. Using never seen before home movies, photos and eye witness accounts - this is the inside story of the world's biggest motorsport disaster.

The 8 week road trip of photographer Diana Scheunemann, her boyfriend PJ Norman and their little dog Nico around the USA is an emblematic ensemble of breathtaking landscapes and stories, people and situations. Through 10,128 miles, 21 different states and 30 conversations, inside the homes and the hearts of Americans they encounter, they are pushed by curiosity and a deep fascination for the different elements that together create this country.

At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations. The futility of human activity and the search for love make up the film's central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989.

At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.

Madre, ma come?

In this special follow-up programme, the only television team with access to the dig and the scientific tests on the skeleton uses unseen footage and conducts two days of additional interviews to tell this extraordinary forensic detective story in even greater scientific and archaeological detail.