Lembrar de Mim

In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

After years away from each other, a mother tries to reconnect with her daughter.

Beijo de Borboleta

On an isolated farm, a woman finds an injured and frightened woman in her old chicken coop. Moved by an inexplicable instinct, she decides to help her, without imagining that this silent encounter will awaken buried secrets. When tension finally gives way to trust, something dark approaches, bringing a truth that no one could have foreseen.

Based on Stephen King characters from the Dark Tower series, this short examines the student-teacher dynamic between the legendary Gunslinger and the woman in the wheelchair he pulled into his world a few months before our story begins.

Adaptation of a Kafka short story, believed lost for more than 60 years.

Bihter, who is desperate for love, sees Adnan, a wealthy and respected older guy, as a way out of the stereotype that society and her materialistic mother have given her. But she soon discovers that she is not satisfied with his attention and has other needs.

An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.

Trapped and lost in a crowded metropolis, the Grief navigates its way to find its missing owner. It has no timeline, it has no directions, and it is a cycle. The Grief evolves as it moves through different urban spaces & public transportation. As the Grief finds its missing owner, it has come to a realization that all this time, they’ve been together but both are lost.

When a woman's first love suddenly reenters her life, her relationship with a charming, but abusive neurosurgeon is upended, and she realizes she must learn to rely on her own strength to make an impossible choice for her future.

In 1969, while studying at the University of Maine, artist Alan Parker becomes obsessed with death. Believing he is losing his girlfriend, he tries to commit suicide on his birthday but his friends manage to stop him. He receives news that his mother has had a stroke and decides to hitchhike to visit her at the hospital.

A destitute hitchhiking college dropout meets the girl of his fantasies at a local diner, stirring up fury-fueled bloodlust that she seems to encourage, almost too completely.

The last person on Earth revisits their memories as they wander a lonely world

A famous Blonde Starlet drops acid and turns into midnight.

On a golden afternoon, wildly curious young Alice tumbles into the burrow and enters the merry, madcap world of Wonderland full of whimsical escapades.

Experimental short film that reflects through the voice of the protagonist, poetically, about a fateful intimate and personal event.

An omnibus film based on Kim Oki's album Hip Hop Retreat. Twenty characters share the same table at different times, in different emotional states, each with their own story. Shot in one day, edited in one day.

Harvey and Janet Stevens are living the perfect life in the perfect house or so it seems. Janet has been secretly having an affair with Harvey's best friend Frank. What they don't know is Harvey may not be as in the dark as they suspect.

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.