When I Close My Eyes I See Everything

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

Set in a Tuscan eden, Rocca Dell’s short film “Calcio” develops a contemporary digital mythology by setting four “calcianti” – players of Florence’s historic form of football, the Calcio Storico Fiorentino – against the rich and harmonious landscapes of Tuscany, while expanding both space and time in order to convey the artist’s very personal dreamscape: a hybrid of the natural world, or rather a synthetic, artificial interpretation of it.

Documentary following the history of America's first cinematographers.

Abstract video art set to the music of Philip Glass.

An NTSC space opera.

"Thornton's magnum opus, this ongoing and open-ended serial follows its two improvisatory protagonists, children “raised by technology,” through a surreal landscape where pop culture and history, science and science fiction blur." - BAM

“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton

Music by Byron Westbrook, 16mm film by Paul Clipson.

Roaming through dark streets, Benjamín recognizes a house. After knocking on the door, an old friend opens, scared. It is as if he was waiting for him. Shortly after they exchange greetings, his friend tells him something isn't right: an intruder has gotten into the house.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

Violinist Sydney Wells was accidentally blinded by her sister Helen when she was five years old. She submits to a cornea transplantation, and while recovering from the operation, she realizes that she is seeing dead people.

A watchman at an apartment complex in Assam, India, spends an ordinary evening. A surreal, expressionistic landscape unfolds.

To cope with a grieving process, Eli creates his own pink musical paradise, full of neon lights and a lot of gayness.

The second film in the Phosphenes series.

'This Socks' is a stop motion animation short film that experiments with different techniques to illustrate a common everyday annoyance.

An experimental short film that explores the textures of nature and the gaze of a cat.

Psychedelic and occult visions intertwine, between a woman and a decapitated pig's head.

The experimental film follows a young woman as she struggles to keep up with the fast pace of life. The film delves into her inner turmoil as she tries to escape the relentless pressure of time and find a sense of peace and belonging in a world that never slows down.

A class project by transgender multimedia artist/dog Natalie Pit. Features the band Cherry Pit performing the second half of their song "I AM NOT A PERSON", set against unlicensed footage from other trans filmmakers, including the likes of Lex Walton, Louise Weard, Cate Wurtz, Jane Schoenbrun and Lily Alexandre.

After the mysterious death of scientist Dr. Devin Villiers, Det. Frank Turner and his partner are assigned to protect Villiers' colleague, who revealed that a veteran soldier was subjected to an experiment with the objective of creating the ultimate national security weapon... an undetectable soldier. The experiment failed – with disastrous side effects.