May 15th in Paris

Manouchian et ceux de l'Affiche rouge

The history and trauma of two men, brought together by war, is exposed when a mysterious visitor treads familiar ground.

Debunking the mythology surrounding the 16th century French prophet, Nostradamus.

The life, death, and resurrection of Elvis Presley, as he is transformed from man into product. Composed primarily of an illustrated biography filmed with a microscope camera.

On July 14, 1789, a mob of angry Parisians stormed the Bastille and seized the King's military stores. A decade of idealism, war, murder, and carnage followed, bringing about the end of feudalism and the rise of equality and a new world order. The French Revolution is a definitive feature-length documentary that encapsulates this heady (and often headless) period in Western civilization. With dramatic reenactments, illustrations, and paintings from the era, plus revealing accounts from journals and expert commentary from historians, The French Revolution vividly unfurls in a maelstrom of violence, discontent, and fundamental change. King Louis XVI, Marie Antoinette, Maximilien Robespierre, and Napoleon Bonaparte lead a cast of thousands in this essential program from THE HISTORY CHANNEL®. Narrated by Edward Herrmann (The Aviator, Gilmore Girls), The French Revolution explores the legacy that--now more than ever--stands as both a warning and a guidepost to a new millennium

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

An experimental shortfilm in line with "Lux Æterna", showcasing the footage from Cecil B. DeMille's "King of the Kings". A voiceover pronunces word "Relax" in a hypnotic tone, which was Lux Æterna's working title. It was shown only once in Paris at L'Étrange Festival, at the opening of "Lux Æterna".

Directed by Jacob Miguel, "PUNK ROCK LOTTERY" embarks on a mission to capture the rapid growth of an annual event known as "The Punk Rock Lottery" in Austin, Texas. What sets this film apart is its self-awareness, playfully breaking the fourth wall and transforming into an immersive journey through history and the creative process. The narrative builds its foundation by featuring insights from punk legends and influential figures who helped shape both the film and Austin itself. As the story unfolds, it delves into the heart of the project as Jacob actively participates in the event, offering an inside look at the frenetic pace of life in a band. Through the experiences of over 30 characters, the film uncovers universal truths about creativity, camaraderie, and the struggles inherent in pursuing one's artistic passion.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.

A stasis work invoking the memory of the lynching of Mary Turner, a young, pregnant African American woman in South Georgia. Publicly demanding justice after the murder of her husband, Turner was kidnapped by a mob, hung up in a tree, set on fire, her child cut out and killed, and shot hundreds of times before being buried on-site in 1918. Returning to the origins of cinema, filmed on the exact date and time of Turner’s lynching 105-years earlier, # 3 uses form, time, light, shadow, and landscape as metaphor to not only invoke the memory of Mary Turner, but to also ponder perspective relating to racial violence, violence against women, our failure to acknowledge our past, and the racial divide that continues to exist today in the schizophrenia of America life.

On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.

Camila

In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?

La manzana

A personal experimental exploration of the book of Psalms in the Holy Bible

Encruza Braziliensis

The amplitude of time recollected. A hasty communion with rapidly desiccating memory, a blend of film and digitalia in which the shapes of living things are made to resemble mere scratches and scrawlings on the face of the void.

Landscapes, things, men, women and children taken by an "evil eye" more than a century ago haunt the present in this jagged reverie. A persona voicelessly narrates, via captions, going through colonial photographs, digresses to eating fruit and entering a cave on a tropical vacation island.

In a nightmarish world, dominated by the decline and degradation of Man , Christ resurrected wandering, across three different eras of human history.