Fanny, Alexander & Me

Momofuku TV employs CG animation to look back at the history of instant ramen and tell the story of how Momofuku Ando overcame great adversity to achieve inventions of worldwide importance. The program presents the six keywords that drove Momofuku’s creative thinking in a fun and easy to understand way.

This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

Toska

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

Hoteliér

An English-speaking film produced on behalf of the Israeli Center of the International Theater Institute, providing international audience with an overview of modern Israeli theater, including scenes of renowned Israeli theater productions from the theater season of 1967. The film opens with excerpts from “The Dybbuk” at Habima Theater, and includes scenes from the successful musicals of the Cameri Theater “Utz Li Gutz Li” (Rumpelstiltskin) and “King Solomon and Shalmai The Shoemaker”. Other excerpts include scenes from the plays “The American Princess” by Nissim Aloni at the Seasons Theater, “He Walked Through the Fields” by Moshe Shamir at the Haifa Theater, Ibsen’s “Hedda Gabler”, “Who’s Afraid of Virginia Wolf”, and more.

Opening with the first day of rehearsals of the London production of "Sweeney Todd", this ninety-minute documentary focuses on the rehearsal process with the musical's director, composer and actors.

Relationships, rehearsals, performances, hobbies, and family life of the members of the Guarneri String Quartet.

A German TV documentary that chronicles the daily rehearsals, the filming and all the behind the scenes of Jean-Jacques Annaud's classic "The Name of the Rose". From actors perspectives to the ideas used by the director to produce an impeccable international epic adaptation of Umberto Eco's best selling novel, the film presents the obstacles behind the creation of a production of such large scale and also the making of the many difficult scenes, most of the ones presented here are the characters' murders inside the mysterious abbey.

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

From PBS - With unprecedented access, The Shaw Festival: Behind the Curtain captures the unique creative process of one of North America's longest running, most distinctive and exciting theatre experiences. Each year between April and October, the Shaw Festival--which began in 1962 with the mandate on works by George Bernard Shaw--presents around 10 plays on four stages that attract patrons from all over the world. Located in Niagara-on-the-Lake, Ontario, Canada--the Shaw's one-of-a-kind schedule has actors and directors working on several plays at once. Over eight months, crews design and build sets on a finely honed schedule that is both frenetic, creative, and amazingly well planned and executed. Follow the process of getting the play from the page to the stage as The Shaw Festival: Behind the Curtain provides insight into every aspect of production at a summer theatre festival.

Historic theaters capture the imagination with interesting architecture, lighting, and decorative lobbies. Award-winning videographer/ historian Darrell Jabin toured dozens of theaters, researched opera houses, vaudeville, movie palaces, and neighborhood theaters, and interviewed historians, theater owners and executive directors of community theaters to create a short film covering a unique part of Oregon history.

A free and intimate portrait behind the scenes of Valeria Bruni Tedeschi's creation. In front of the camera, she transmits to today’s young actors the memory of the 1980s.

Portrait about the planning and rehearsal of Richard Wagner's Parsifal directed by Calixto Bieito at the opera house in Stuttgart.

Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.

Hore dole, hore dole

Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?

With an intimate look into the band's life, this concert documentary is about the farewell concert of cult Hungarian band 'Kispál és a borz'.

Peer behind the curtain as a cast of neurodivergent teens prepare to come of age and hit the stage in their school’s time-travelling, John Farnham–themed musical.