Tacna y Arica

An educational film about power sources that’s rendered as a lyrical meditation on heat and vapor, The Four Elements is a poetic and avant-garde documentary Curtis Harrington made for the United States Information Agency.

A propaganda documentary on the post war reconstruction of Miensk, capital of Belarus.

During World War II, the propaganda engine of the U.S. government made a pivotal decision with unforeseeable results: they tapped John Huston to shoot war documentaries with an expressly patriotic spin. Few could guess the degree to which Huston's documentaries would depict the sheer brutality and horror of modern warfare - particularly his Let There Be Light and The Battle of San Pietro. The films served (by default) as cinematic protests, even as they graced new and brilliant heights within the scope of American documentary. (Indeed, Light was banned by the government for 35 years). Midge Mackenzie's 1998 documentary John Huston: War Stories explores this little known facet of Huston's career, intercutting clips from the various documentaries with a Huston interview shot just prior to his death.

Holocaust survivors, children of survivors, and grandchildren - as well as German freedom fighters - express their shock at the Covid era's fear-mongering and divisive dictates that are reminiscent of the prelude to the Holocaust. This ambitious five-part docu-series is the brainchild of Holocaust survivor and human rights activist Vera Sharav.

Commissioned to prepare Allied troops for the liberation of Europe, the film uses a blend of staged narratives and historical footage to promote solidarity and dispel the myth that France was a nation of willing collaborators.

Spin doctors spread misinformation and confusion among American citizens to delay progress on such important issues as global climate change.

Le Parti du cinéma

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

A student is held up in the library while a riot rages outside. As SDS protesters head to burn the library down, he has to fend them off with his baseball bat. This film opens with actual footage of civil disturbances in the 1960s, and moves on to images of historical American figures.

¿Por qué morir en Madrid?

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.

The story of Istituto Luce and it's newsreels, full of visual records of the social and political history of Italy under Mussolini's leadership.

A love affair with collectivist ideologies has lead to ever bigger government and the welfare-warfare state. Lead by a Marxist splinter group called the "Frankfurt School" -- "the long march through the institutions" has infiltrated every corner of Western culture to corrupt traditional Christian values with "political correctness," another name for "cultural Marxism." The ultimate goal of cultural Marxism is to first destroy American free-enterprise capitalism by undermining its economic engine, the Middle Class and this will lead -- they hope -- to the destruction of the basic building block of society: the Family Unit.

North Korean propaganda film about orchards that yield bigger crops after Kim Il-sung visits. The films was presented as a gift to friendly-minded countries in the world. And expected by the North Korean Culture Ministry to be displayed publicly. Sweden was one of the countries honored by receiving a copy of "Gwasu-ui nara / Country of Orchards".

Documentary shows the variety of tasks assumed by British women since the outbreak of war, and thanks America for sending relief bundles to the victims of the London Blitz. Made for an American audience, the film is edited, narrated and written by three women, with no director credited.

The epic story of the Russian Civil War (1918-21): the White Terror, the counterrevolutionary uprisings, the guerrilla war, the Kolchak front, the Wrangel front and the Kronstadt rebellion. Chaos and violence, devastation and death.

"Our Cities Must Fight" is a civil defense film that was produced for the U.S. government to illustrate the importance of not abandoning urban centers during an atomic bombing. The film cautions that doing so would make it easier for the invading "enemy."

Using edited archive footage, mockery is made of Italy's dictator Benito Mussolini.

Heroic Struggle in Snow and Ice is a 1917 Austro-Hungarian propaganda newsreel film produced by Sascha-Film for the Imperial and Royal War Press Headquarters. The film is hand-colored and presented in two parts. It depicts the fighting on the Alpine Front between Italy and Austria-Hungary.