Goazen gudari danok

The memory of a defeat, a barbarism: the destruction at the dawn of the civil war of people who fought for freedom, a group of anarchists from A Coruña located in the Atochas area. Through valuable witnesses and historical images a reconstruction of a metaphorical episode in the history of the country. This projection is made in collaboration with its author and the Commission for the Recovery of Historical Memory.

The victory of the fascist army in the Spanish civil war caused a mass exodus of republicans who had to take refuge wherever they could. Mexico, led by its president, Lázaro Cárdenas, was the only country that openly supported the republican cause and opened its doors to thousands of Catalans who found their second homeland in that land. This documentary aims to be a tribute to all the exiles and the people who welcomed them. "Mexico, you have opened your doors and your hands to the wanderer, the wounded, the exiled, the hero..." Pablo Neruda.

During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.

Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.

The memory of the poet Vicente Aleixandre remains silent at No. 3 Velintonia Street. Home of a Nobel Prize in Literature 1977, it also recalls the joy of Lorca and other members of Generation´27, the pain of civil war and post-war, and became a meeting point for most writers in 20th century Spanish Literature, now is abandoned and for sale. This documentary recreates its story and spirit.

A pro-Republican documentary filmed on the streets of Barcelona between July 19-24, 1936. It showcases the revolutionary fervor in the city at the onset of the Spanish Civil War.

The story of the Spanish Republicans of La Nueve, the 9th Company of the Régiment de marche du Tchad, part of the French 2nd Armored Division, known as Leclerc Division, whose troops were the first who entered Nazi-occupied Paris on August 24, 1944.

This documentary is the first of a series that dedicated 4 issues to the activity of the Durruti column in Aragon.

Escala de grisos

El sueño de las manzanas

Sueños colectivos

Upon the outbreak of the Spanish Civil War in July 1936, the anarchist union CNT socialized the film industry in Spain, so in Madrid and Barcelona film workers took over the production assets and, between 1936 and 1938, numerous films on a wide variety of topics were released, composing a varied mosaic that gives rise to one of the most unusual and original moments of Spanish cinematography.

Aguiluchos de la FAI por tierras de Aragón 2

Three elders return to their homeland seventy years after being forced to leave it because of the Spanish Civil War.

Third film of Juan José Ponce's trilogy about Federico García Lorca.

The story of the tortuous struggle against the silence of the victims of the dictatorship imposed by General Franco after the victory of the rebel side in the Spanish Civil War (1936-1975). In a democratic country, but still ideologically divided, the survivors seek justice as they organize the so-called “Argentinian lawsuit” and denounce the legally sanctioned pact of oblivion that intends to hide the crimes they were subjects of.

Libertad negra

In 1948 Pablo Picasso met the hairdresser Eugenio Arias. Both were linked by the fate of emigration. If Picasso initially only had his hair cut by Arias, a deep friendship soon developed.

Cautivos en la arena

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.