Ritual de Luz

Images of crowd simulation are faced with testimonies from Liverpool Football Club’s supporters who recall their experience marked by a tragic event: the Hillsborough stadium disaster in 1989, which changed the nature of the game of football.

Linee d'ombra

Haciendo Memoria

Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years.

Memorias de un naufragio

Liubov, a Russian lady who lives in Mexico City. During the routine of her day, Liubov will recall the experiences she had with death, from childhood to adulthood.

A mother and her son are driving through heavy snowfall to bid a final farewell to their dead husband and father. A sudden and unexpected wrong turning takes them to a completely different place from the one they had expected. Some memories exist in a borderland.

A trip to Pogoniskos, a Greek village in the northern borders of Epirus. Stories about war, but also about fairies. Without a purpose and without an end. Our grandfather was the narrator, while our grandmother took care of us. Their return to their roots made our own journey unique.

This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.

Layering real-life details with an otherworldly magic, Thanadoula recounts the story of an end-of-life doula brought to her calling through the loss of her beloved sister.

Não tem um Boteco nessa cidade em que eu não tenha falado de você

A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.

The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.

Personal memories of a place that no longer exists, of a life of freedom and security, of loved ones, shared moments and painful losses.

O tecido da memoria (My room number is cucumber)

Son Bir Numara

After being diagnosed with Alzheimer's, Lino Santos Gomes, the grandfather of director Barbara Marques, will move in with his family. Videos were made with cell phone lenses. From chaos to love, a grandpa’s day.

This film is a secondary expression movie which is produced from much stuff of old postcards as souvenir of the mountain resort. It is an experiment for considering about the possibility that the old photo postcard become the device of sharing memories of the world of today.

Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.

Everyday Portabella