Sisters

The motivations behind Paratriathlon Events Gold Medal winners, Spanish José Luis García and his guide, Francisco Nieva, and the strong bond between them.

Australia: Land Beyond Time takes viewers on a breathtaking journey back in time to witness the birth and evolution of a mysterious land that harbors remnants of Earth's earliest life and many of it's strangest creatures that exist nowhere else on the planet.

Karpaty

Niva rieky Latorice

1950 short film portrait of the octogenarian folk artist. Nominated for an Oscar in the category "Best Short Subject, One-reel".

A short documentary about witches.

Aminodin's father always smiles because he says that happy people live longer. That's why, at age 8, Aminodin puts on her best smile while working at the Papandayan dump, where she lives with her family. At Instead, his cousin Aliman lost his when bombs began to fall from the sky in the town of Marawi.

Documentary about the abstract filmmaker.

Yo sentí su amor

When Ulrik is 33 years old, his mother suddenly passes away after a failed knee surgery and his world collapses. His father starts spending money he does not have, seeks out hookers and ends up hugely in debt and therefore loses Ulrik's childhood home. Ulrik desperately crosses the lines of decency and politeness as he tries to prevent his father from going on date sites and sending money to fictional women in need. How much can a son stand before he ends up as his own dad's dad? And - what is it Ulrik is so afraid of?

Documentary short film extolling the virtues of the American Community Chest charity program and its value to the Allied war effort.

The vessel is Infinity, a 120-foot hand-built sailboat, crewed by a band of miscreants. The journey, an 8,000 mile Pacific crossing from New Zealand to Patagonia, with a stop in Antarctica. Unlike all the other boats heading to the Southern Ocean, Infinity is no ice-reinforced super-yacht crewed by professional sailors; rather, Infinity lives in the moment and sails on a whim. What can be found in abundance on board is blood, sweat, enthusiasm, risk tolerance, disdain for authority, and an ample supply of alcohol – all in all a mad voyage of reckless adventure just for the sheer joy of it. Along the way the crew will battle a hurricane of ice in the Ross Sea, assist the radical environmental group Sea Shepherd in their fight with illegal whalers, and tear every sail they have. At the heart of their journey is a quest for awe and a sense of wonder with the raw power of the natural world.

Based on the negatives of the 33 'La Tauromaquia' engravings made by Goya in 1816, the director invites us to witness the transformation of bodies at the approach of death.

Meet three families from around the world as they keep households with 13, 16 and even more than 150 family members organized on a daily basis.

The film recounts an experience, that of a director and his two actors at grips with a play: from the first meeting to the initial readings, the rehearsals done at home, the ones done on stage and finally the first performance. But an experience that took place in the peculiar situation in which the whole of Italian culture found itself in the days between the first and second wave of the pandemic, when it really seemed possible to restart and the feeling of euphoria was accompanied by the illusion that the worst was behind us. Once again we were suddenly checked in our desire for beauty, for life.

Two men and one woman addicted to videogames are interviewed to tell their stories. In this documentary, they are animated characters resembling the ones on computer games.

After a routine partial hip replacement operation leaves his mother in a coma with permanent brain damage, what starts as a son's video diary becomes a citizen's investigation into the future of American health care.

Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.

Employing experimental techniques, Emshwiller magically moved through a collection of objects and artifacts in order to capture the spirit of George Dumpson and his backyard museum.

After mutilating his fingers, a carpenter decides to go back to work to support his family and prove that he can still do it.