The Invention of Imaginary Machines of Destruction - First Storyboards, in Motion Short Director

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

Kaleidoscope-68

A sea beast makes a quick trip to the cornerstore

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

It begins with a warning. It is said that the episode contains scenes that may offend viewers. It is also said that most viewers may experience nagging backache, rapid heartbeat, post-nasal drip and delerium, swelling of the nose, throat, and abdomen and loss of facial hair. Repeated viewing of the episode will result in the loss of one's bodily functions, redistribution of facial features, and a difficulty in forming simple sentences. The announcer concludes the warning by saying that you should definitely watch this episode if you really want to have a career as a lawn ornament. After the roll call(which curiously excludes Bash Brain), Bash Brain appears and says that he's never seen anything so awful in his life. He then reminisces about some time in a hosptial.

A rare bonus short film featuring an epic battle between two magical girls - Creamy Mami and Minky Momo. (Shown as a bonus movie with the theatrical screening of Mahou no Tenshi Creamy Mami: Long Goodbye and Mahou no Princess Minky Momo: Yume no Naka no Rondo.)

The Born at Home documentary explores and uncovers the empowering journey of homebirth, shedding light on the often overlooked and misunderstood option that has transformed lives. Born at Home dives into real stories of women navigating birth trauma and examines how a shift in environment and informed choices can reshape the birthing experience. Wisdom is shared from homebirth families, interwoven with evidence-based information from midwives, medical professionals, doulas, researchers and maternity advocates.

Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.

This "Theater of Life" documentary was produced in cooperation with the International Committee, YMCA. It focuses on the work of Dr. Spencer Hatch, as he shows residents of small Mexican villages how to make their land better able to grow food and make them more independent.

The Pax Americana takes care on our peace, ensures our comfort, guarantees our prosperity… An idyllic postcard of the new Empire.

The Making of 'The Thing'

A breathtaking quest for the dream the imposing city of Brasilia was based on, a marked contrast with the chaos of the adjacent construction workers' village. Everything about Brasilia was devised and designed, but not on the basis of some cold urban design concept: the plan proves to originate from 19th-century priest Don Bosco’s dream. The chaos and disorder of the adjacent construction workers' village Vila Amauri long stood in stark contrast to the grandeur and majestic regularity of Brasilia. Now the village has disappeared beneath the reservoir’s surface, the necessary order has been restored. All Still Orbit examines both these histories.

A short film by István Orosz that explores spiritual, meta-physical, psychological and philosophical themes on a cosmic scale.

This short documentary, presented and directed by MGM sound engineer Douglas Shearer, goes behind the scenes to look at how the sound portion of a talking picture is created.

It's Bobo's birthday, but sadly no one showed up to his party. A big game hunter figures it's the perfect opportunity to capture the fearsome monster—by throwing Bobo the birthday party of his dreams.

The Ax Fight (1975) is an ethnographic film by anthropologist and filmmaker Tim Asch and anthropologist Napoleon Chagnon about a conflict in a Yanomami village called Mishimishimabowei-teri, in southern Venezuela. It is best known as an iconic and idiosyncratic ethnographic film about the Yanomamo and is frequently shown in classroom settings.

Joyful, androgynous forms shimmy across the screen to the sound of world-beat music.

A short Surrealist animation from Denmark which begins with a zoom into a Paul Delvaux painting, then reverses the process by pulling back from a continually changing picture.

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