Ciclos Perucha

Uninhibited description of what Spanish verbenas are and what their essence is, and of what nourishes and constitutes them both in recreational and popular territory and in a traditional institution.

De la Quadra-Salcedo: El reportero que quisimos ser

The Spanish author Enrique Jardiel Poncela (1901-1952) was one of the best comedy writers of all time, a novelist and newspaper columnist, misunderstood, even censored, both by the Second Republic government and Francoism, an outsider ahead of his time; also a filmmaker and screenwriter in Hollywood, architect of a revolutionary theatrical building and scenographer, cartoonist and illustrator. An implausible genius.

For the first time, an unprecedented journey into the life of Marco Pantini. Set against the backdrop of his beloved Cesenatico, with public and private archive material and intimate conversations with family members and close friends. With tenderness, empathy and love, The Natural tells the story, from the inside, of the man and the sportsman.

The documentary captures the fall or rebuilding what had been a symbol of the Franco regime, but the cessation of work due to the economic crisis turns into a viewer of the financial and economic paralysis of the country during these years.

The life of Paco Martínez Soria (1902-1982), one of the most famous and beloved Spanish actors, both on stage and screen; a comedian, a theatrical producer, an idol for the masses. A celebration of the uncommon gift of making people laugh.

Actor Jeremy Irons embarks on an epic journey through the halls of the Prado Museum in Madrid, Spain, two hundred years after its inauguration, along corridors where thousands of masterpieces of all time tell the lives of rulers and common people, and tales about times of war and madness and times of peace and happiness; because, as Goya said, imagination, the mother of the arts, produces impossible monsters, but also unspeakable wonders.

¿Qué pasó con Yugoslavia?. El engaño de nuestra vida

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

La ciudad es nuestra

Nico Valsesia - On The Road Again - RAAM 2014

Six elderly retired women, two from Buenos Aires, Argentina; two from Montevideo, Uruguay; and two from Madrid, Spain, have something in common, despite their different interests and lives: they go to the movies almost every day.

The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

Lo que hicimos fue secreto

Frenesí en la gran ciudad

La memoria del arpón

When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.

El sueño del oro negro

Spain, 1968. An analysis of the political and social situation of the country, suffocated by the boot of General Franco's tyrannical regime. (Filmed clandestinely in Madrid and Barcelona during the spring of 1968.)