Frank Zappa: We Don't Mess Around

JAZZ HOT is a major discovery, a unique sync sound film recorded of Django Reinhardt, greatest of jazz guitarists, here with violinist Stephane Grappelli and the Quintet of the Hot Club of France.

Incredible phantasmagoria of merry-go-round people, who are usually called the dregs of society .

October 5th, at 10.30 pm , after pope John-Paul II`s blessing of Lyon from the top of Fourvieres hill, Rendez-Vous Lyon got under way, a concert performed for more than 800,000 people on the banks of the river Saone. Fourvieres hill was ablaze for ninety minutes, fired on by cannons of light, fireworks and images synchronised to music being performed live on the central stage by Jean-Michel Jarre, 60 musicians and 120 choristers. A baroque feast, blending classical and avant-garde, workmanship and high-tech, past and future, Rendez-Vous Lyon will long be remembered as an exceptional event.

A lyrical story about love and death, realized as a message.

Features the final day of SCANDAL's "SCANDAL ARENA TOUR 2015-2016 "PERFECT WORLD"" held at Nippon Budokan.

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

Visual companion to the album Oh My God by Kevin Morby. Described by Morby as "half documentary and half dreamscape."

World-famous jazz club Ronnie Scott’s hosts a tribute to Burt Bacharach - a songwriter, producer and pianist who us widely seen as one of the most important songwriters of the 20th century. Clive Myrie is at the show, which features brand new jazz-inspired arrangements of some of Burt Bacharach’s best-loved music by the club’s artistic director James Pearson. The setlist spans Burt Bacharach’s epic career and includes The Look of Love, Alfie, Wives and Lovers, Do You Know the Way to San Jose and That’s What Friends Are For.

In a wordless story with semi-surreal stage sets, a poor black man ventures from his ramshackle rural home to the big city, where a dancing girl in a dive two-times him. He returns to his home and wife's arms.

Lumiere's The Arrival Of A Train in Russian.

An account of the short life of genius musician Jimi Hendrix (1942-70), probably the most talented and influential guitarist of the twentieth century: his humble beginnings in Seattle, his time in New York, his rise to fame in swinging London… Live fast, love hard, die young.

On October 17, 1996, veteran and contemporary jazz greats gathered for a select soiree on the stage of New York's Carnegie Hall, saluting a guy more noted for making popular films than for making sweet music. But as any fan of Clint Eastwood, especially after he started directing 30 years ago, will attest, the award-winning star is also an inveterate jazz lover who has uniquely integrated that musical form into the scores of his films. Join Joshua Redman, Christian McBride, Flip Phillips, Charles McPherson, James Rivers, Slide Hampton, Hank Jones, Thelonious Monk Jr., the Kyle Eastwood Quartet, the Carnegie Hall Jazz Band and more for this scintillating celebration of film and music.

Dette er den første norskproduserte musikkfilm, tatt opp i Holmenkollen søndag 17. juni 1973. Med.: Aunt Mary, Sigbjørn Berhoft Osa og Saft, Hvalsøespillemendene, Merit Hemmingson och Folkmusikgruppen, Prudence, Splash, Savage Rose, Culpeper's Orchard, Skin Alley, Mungo Jerry, Pretty Things, Burken och Rockfolket og Popol Vuh. Ideen bak Ragnarock er blant annet å vise sammenhengen mellom folkemusikkrytmer og rockerytmer. Derfor er det fortrinnsvis skandinaviske grupper som er med - og i filmens åpningssekvens spilles både norsk, dansk og svensk folkemusikk. Konserten foregikk søndag 17. juni 1973 ved Holmenkollbakken.

Attempt of the artist's detached view of what is happening in the world.

VH1 uncovers the frightening allure and danger of skinhead rock, a key recruitment tool in the U.S. white power movement. You'll hear from the bands and their fans, and learn the remarkable story of George Burdi, a hate rock pioneer who now plays in a multicultural band in Toronto. We'll also examine the rock against racism movement, revealing a battle for the hearts and minds of young music fans.

Donal MacIntyre investigates the secretive world of white power music and how the money made helps fund far right political organizations in many countries, including the British National Party in the UK. In this documentary, the crew gained access to the men and women behind one of the most disturbing musical movements. It reveals how British neo-Nazis and skinheads plan to launch 'Project School-Yard' in Britain after a similar scheme was tried out in the United States. In the UK, the team follows one of the most infamous British white-power bands, Whitelaw, as they prepare for one of the biggest gigs of their career. The band are filmed on stage, with riot police surrounding the venue, performing as the forces of law and order move in to shut down their hate-filled act. The film also contains shocking images of hate rock concerts in the USA where, thanks to the first amendment protecting freedom of speech, anything goes.

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.

When Thin Lizzy frontman Phil Lynott died on 4 January 1986, he was 36 years old. His early death from a drug-related illness placed him in the same rock 'n' roll league as his idols Elvis and Jimi Hendrix. This documentary looks behind the image to reveal the strains of life in the fast lane. It also focuses on Lynott as family man, writer, and black Irishman with a Brazilian father. Includes contributions from Bono, Van Morrison, Mark Knopfler, Scott Gorham, and Lynott's wife Caroline Crowther, who speaks publicly for the first time. (Radio Times)

A jazzy film in which the spectator is forced to look with the ears and listen with the eyes. An abstract film drawn directly on the computer.

MISTER MOTO - THE J. B. EXPERIENCE