For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
This is an animated documentary about FOOD! I interviewed vegetarian, vegan, pescetarian and meat eater about their opinions about food and life choices. Then I animate real food with stop-motion technique based on the interviews. By putting the conversations in different context, the food speak for themselves.
Wylie carries a telescope through the streets of Los Angeles to offer passersby a new and closer look at a familiar object: the moon. Because everyone needs to keep looking up. Because it is a beautiful and wondrous sight to behold the body of the moon.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
In 1974, a Mormon missionary finds his world turned upside down when he falls in love with a handsome Italian Communist. With original 8mm film and fierce storytelling, Tom Clark recounts a love story set against the backdrop of coastal Italy wrought with faith, identity, cigarettes, and Thorazine.
Despejadas
A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.
Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.
A compilation reel of local movie theatre trailers for upcoming events, such as a “Bug-o-Rama” festival and a “Marathon of Fright.”
Portrait of the early era of computing which examines the workings of a new and mysterious machine: the Canada Land Inventory Geo-information System. This "instant library" was created to help assess and document the geographical landscape, including sampling and analysis of soil, forestry, timber, wildlife, resources, industrial sites, and many other aspects.
An exploration of the movie "The strange case of Angelica" and an understanding Manoel de Oliveira's cinema.
Evocation of the Oradour-sur-Glane Massacre on 10 June 1944, when 642 of its inhabitants were slaughtered by a Nazi Waffen SS company, based on a visit to Diors' Museum of the Three Wars" and archive photographs.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Joseph Wilson meets the dance teacher fighting transphobic violence through voguing in Rio’s favelas.
They set off, looking for work in far-off places, but disappeared along the way. Inspired by Shiv Kumar Batalvi’s “birha” poetry, the film traces the longing on both sides: on the part of those who are missing, and those that wait for them to return.
Η Ακρόπολη σε... τροχούς
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
In 1971, John Lennon and Yoko Ono embark on a search for a girl named Kyoko. On April 23rd, they are arrested by the police at a hotel in Palma de Mallorca, Spain.
Victims of a tragic air crash are honoured in a sombre military funeral procession through the streets of Hitchin.