Tutor in Fear

Make your adjustments.

C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.

Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding time’s relativity to different forms of life on Earth. Made the day my brother got his fork-lift license.

A Landscape of noise. The experience of a look being assimilated into a completely technological environment

Video art piece by Michigan artist Gio Orlando.

Ariadne, a theatre actress, is seemingly trapped inside a room. Once she lets go, the room starts shifting.

Neyasno

It’s the story of a love that has been lost, of a painful break-up narrated through a long night’s journey, its dreams and nightmares. This girl keeps dreaming of her ex-boyfriend, that follows her in her unconscious and reveals himself in various ways.

visual album, mixed digital media, archival footage, and ghosts

Following the disappearance of a man in Scotland, his daughter recalls words chanted before nightfall.

A guy named Ray tries to go to sleep and a sasquatch gets into funky business.

A closeup examination of a tree in the morning light.

An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.

Proyecciones del Limbo

La dissolution du paysage

Poetry on Film is a moving image commissioning project for young and emerging Hong Kong filmmakers, motivated by the belief that poetry possesses an inherent cinematic quality. Its rhythmic cadence, vivid imagery, and emotional depth offer a rich tapestry for filmmakers to weave their visual narratives. Animator STEP C., narrative filmmaker Chu Hoi Ying, analogue film artist Jolene Mok, and documentarian Lee Wai Shing were asked to choose a contemporary Chinese-language poem written by a local writer, then visualise it using their personal cinematic language. The resulting shorts showcase the diversity of Hong Kong moving image practice, with unique approaches to medium, storytelling, cinematography, and sound.

The film follows a girl born during the Iranian 1979 revolution, growing up amidst war and global events, leading to her breakdown and subsequent healing through self-care.

Inbecoming, the art of becoming no one

patterns form and dissolve on the surface a surge of fear and hope in equal measure

An experimental film reflecting on the colors and textures of the world and how love can make us more receptive to their beauty.