Vychovatel ke strachu

Max goes thru an odd night across a hazy city to discover his true self. He encounters with Les Étranges, inhabitants of a dreamy underworld who guide him thru it, teaching him the value of love.

The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.

exprerimental film

For the purpose of collection, preservation, and recording, numerous faces that existed in different times and places densely gather in a single space. Among them are photos of Koreans taken during the Japanese occupation era for physical measurements and Buddha statues with severed heads for reasons unknown.

Young boy confesses his love toward a grocery store chain in a abstract manner.

Nossos Filhos Estão Destinados a Morte

Juxtaposition of seeing and sounding, sky and stone and all that's in between. A short walk in an alleyway, to hear vision sounding images, blessed with light and darkness.

A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

Experimental filmmaker Rubén Gámez explores the iconography of the maguey plant in Mexican cinematic history.

Foreign Names focuses on the worker displacement in a compilation of video clips from Aroma, a coffee shop chain. Ben-Ner’s video shows counter staff at the coffee shops yelling nonsensical English “names,” fabricated and given to them by the artist. The texts edited together become a lament of the waiters’ disappearance and the state of workers today.

L'amour (love). La mort (death). Two French words that could confuse a foreigner, but never a native. Messenger V writes for a company that sends out both love letters and death sentences. After going into work one day, she finds out her assigned recipient is her lover.

Four aspiring YouTubers vlog about delivery driving as their relationships fall apart.

"Lost in the Black Hole" is Bangladesh's first-ever symbolic cult horror short film, where the director/artist has experimented on the five metaphoric characters to represent the various meanings of things through expression, symbolism, and numerology.

The restlessness creeps into a claustrophobic situation where a typist confronts the recorded voice of the writer she works for.

Scroll paintings prepared like film strips with successive images.

A psychedelic essay on Goya's paintings, image and sound. The stippled ceiling acts as noise in the images.

An experimental piece displaying the acts of common addictions.

Repetition, delay, suppression, intertwined images. Through the child, father, and mother; the way memories are recalled, the camera's manipulative reduction of photographs, videos against their magnificence in memory.

Soundwalk Collective with Patti Smith