The Gods of Our Fathers

Becoming a father is an extraordinary adventure in a man's life, but it is also a real physiological metamorphosis that science is only just beginning to reveal. Researchers from multiple disciplines are lifting the veil on these changes taking place in men who are in contact with young children, and their discoveries are astonishing. By tracing the thread of evolution, the film reveals that these deep, long-ignored bonds between men and children are very ancient. And that they are just waiting for the right context to fully express themselves.

A documentary that brings together interviews with 20 activists who address the issue of intersectional feminism and patriarchy in Portugal.

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

In France, as in the United States, an ideological divide is widening between girls and boys: "Young women born between 1995 and 2010 are hyper-progressive, while men of the same age are hyper-conservative," according to Alice Evans, a researcher at Stanford University. "Tens of millions of people who live in the same cities, work in the same places, attend the same classrooms, and even live in the same houses no longer share the same views. This is unprecedented. Generation Z is actually two generations, not one."

From a high school art class to a local radio station, the day-to-day lives of several women coalesce into a poetic documentation of women’s presence and physicality across everyday spaces.

When Tehran hosts visiting foreign dignitaries, the local authorities clean up the city’s urban image through the controversial process of ‘urban beautification’. Those who are deemed unsavoury are rounded up – drug users, prostitutes and the homeless who sleep in cardboard boxes on sidewalks and who they would rather remain unseen. When these very important people leave, the men are released but the women are kept as wards of the state. An animated documentary made using hand-crafted cardboard miniatures and the voices of women to tell their story, one that has been five years in the making. A story that shows how the face of a city can change, but what is underneath often does not.

Breaking a centuries-old taboo, Ava stands as the first woman in Iran to master the male-dominated craft of carpentry. Within the grit and clamor of the workshop, she confronts a society that deems her presence forbidden. This observational documentary captures her daily battle against physical hardships and social judgment.

What happens to families in the absence of sons? What happens to land in the absence of farmers? What happens to villages in the absence of men? Sent Away Boys weaves together stories of individual ambitions and family biographies from Punjab (India) to chronicle the gradual transformation of agrarian landscape and patriarchal traditions through ongoing transnational migration. As the promise of a secure future in agriculture grows increasingly uncertain for young men across the region, escaping India to join the low-wage labor in countries like Canada and USA becomes their sole aspiration. In rural Punjab, being a successful man now entails leaving their village, traveling abroad, and sending money home. Through interviews with men preparing to undertake often risky journeys and women awaiting the return of their sons, brothers and husbands, Sent Away Boys shows how young men's decisions to emigrate implicate families and communities across North India.

The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.

Les pères sont des mères juives comme les autres

Three generations of women share a home — cooking, waiting, and persisting—until a pregnancy quietly shifts the balance, exposing the deep-seated traditions that still shape their lives. Even in a household led by women, patriarchy lingers in the unspoken.

Given the fetishizing and normalizing character that is given to motherhood in patriarchy in order to perpetuate the social order, do we truly choose to be mothers? Why is care, of fundamental vital labor, presupposed as an especially appropriate task for women?

L'homme qui a fait de Gaulle

This is an intimate and fragmented portrait of what it means to fall in love in the 21st century. Where desire, breadcrumbing, and vulnerability intertwine in a process of falling, self-creation, and pure frenzy.

Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.

Puolanka, a tiny village in Northern Finland is famous for its population decline, but also for its dark sense of humor about it. As the long summer evenings stretch out, teenage boys celebrate their new driver’s licences by endlessly circling the same few streets, while an older generation of local gents, proudly known as The Parliament, has already parked itself permanently at the petrol station café. Here, hunting and the legendary “Pussy Rally” aren’t taboos but badges of cultural identity. The only mystery that seems unsolved: where have all the women gone?

A documentary exploring sexism and patriarchy in Kosova.

La randonnée, une affaire qui marche

A grandmother dies and leaves behind hours of secret film and audio recordings as well as an envelope with the words “Must read after my death,” which reveal a dark history for her family to discover.

Since 1995, the TransAsia Sisters Association has been a pioneering force in supporting immigrant women in Taiwan, especially marriage migrants. What began as a small literacy class has grown into a vibrant community that empowers women to organise, speak out, and advocate for their rights. The film explores the struggles of belonging, the strength of sisterhood, and the quiet power of everyday resistance. From street protests to storytelling through food and culture, the Sisters continue to reshape the narrative of migration—one voice at a time.