The Gods of Our Fathers

Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.

The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.

A convicted felon builds a feminist movement from behind bars at an all-male prison in Soledad, California.

Radical feminist Andrea Dworkin's expose on the pornography industry.

Social media superstar Qandeel Baloch pushed boundaries in conservative Pakistan like no other. In 2016, high on her newfound celebrity, Qandeel exposes a well-known Muslim cleric – with tragic results.

Afrique-France : le divorce ?

A grandmother dies and leaves behind hours of secret film and audio recordings as well as an envelope with the words “Must read after my death,” which reveal a dark history for her family to discover.

Kim, a Duluth, MN mother of three, is at the center of this compelling exploration of gender violence. As Kim and her daughters flee to a domestic violence shelter, we follow the harrowing struggles in a single-parenting survivor's quest to find work, housing and peace of mind. This multi-level narrative also examines the causes of domestic violence and solutions that have evolved to stop it.

Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.

We Iranian Women

In this powerful new film based on his bestselling book, sociologist Michael Kimmel maps the troubling social world where boys become men -- a new stage of development he calls "Guyland." Arguing that the traditional adult signposts and cultural signals that once helped boys navigate their way to manhood are no longer clear, Kimmel provides an astonishing glimpse into a world where more and more young men are trying desperately to prove their masculinity to other young men -- with frequently disastrous consequences for young women and other young men. Guyland offers a way for all of us -- parents, young men and women, community members, and professors and administrators -- to envision new ways to support young men as they navigate this often perilous world.

In a closed locker room, rugby players perform the last pre-match rituals. Warming up their souls and bodies, all tense in anticipation of the fight.

The story of those Italian women who, for eighty years, have fought against power in all its forms.

A documentary exploring sexism and patriarchy in Kosova.

A daring exploration of the intersection of religion, patriarchy, and gender oppression in India, unearthing how rituals, customs, and cultural double standards—often sanctified in the name of faith—perpetuate misogyny across generations.

What happens to families in the absence of sons? What happens to land in the absence of farmers? What happens to villages in the absence of men? Sent Away Boys weaves together stories of individual ambitions and family biographies from Punjab (India) to chronicle the gradual transformation of agrarian landscape and patriarchal traditions through ongoing transnational migration. As the promise of a secure future in agriculture grows increasingly uncertain for young men across the region, escaping India to join the low-wage labor in countries like Canada and USA becomes their sole aspiration. In rural Punjab, being a successful man now entails leaving their village, traveling abroad, and sending money home. Through interviews with men preparing to undertake often risky journeys and women awaiting the return of their sons, brothers and husbands, Sent Away Boys shows how young men's decisions to emigrate implicate families and communities across North India.

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

Given the fetishizing and normalizing character that is given to motherhood in patriarchy in order to perpetuate the social order, do we truly choose to be mothers? Why is care, of fundamental vital labor, presupposed as an especially appropriate task for women?

Men: The Origins

Jaime and Pablo explore and work on their identity by telling us about their experiences and participating in a masculinity theatrical laboratory where we will discover the conflict that led them to question their masculinity. This conflict forced them to question the games they taught us as boys, proposing different games where we learn to care for the people we love.