She's Nobody's Baby: American Women in the 20th Century

The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.

An investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry.

They are FEMEN and their decision to fight for feminism topless has made them famous far beyond their native Ukraine. After being forced to move their HQ in Kiev, FEMEN take their struggle to Paris, France where they continue to challenge gender inequality, patriarchal institutions, religion and the sex industry. This report is produced by RT - former Russia Today - send a clear message how Kremlin view this type of activity.

Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'

Held in 1972 at 533 N. Mariposa Street, Los Angeles was one of the most important cultural events in the United States: "Womanhouse," a feminist art installation and performance space organized by Judy Chicago and Miriam Schapiro.

While touring to promote her second studio album "Sucker", Charli XCX tackles what feminism ('the f-word') really means to women in the music industry in a series of interviews with other pop artists.

The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.

Compared to girls, research shows that boys in the United States are more likely to be diagnosed with a behaviour disorder, prescribed stimulant medications, fail out of school, binge drink, commit a violent crime, and/or take their own lives. The Mask You Live In asks: as a society, how are we failing our boys?

Four people - Brittany, Hannah, Nick, and Ylonda - tell their stories about how access to abortion in their community helped them empower themselves to lead lives they want to live.

In East Los Angeles, three young misfit women find solace in an unapologetic, feminist bicycle crew. They call themselves the Ovarian Psycos Bicycle Brigade.

The extraordinary life story of science fiction and fantasy writer Ursula K. Le Guin (1929-2018) who, in spite of remaining for many years on the sidelines of the mainstream literature, managed to be recognized as one of the most remarkable US writers of all time, due to the relevance of her work and her commitment to the human condition.

Some time after her death, film director Jill Craigie (1911- 99), re-opens an old suitcase, prompting memories of the extraordinary life and loves of this forceful, charismatic woman, whose work has been long neglected. Craigie was one of the first women to direct documentaries. Working outside the British Documentary Movement in the 1940s and early 1950s, her films such as To Be Woman (1951), on equal pay, and Out of Chaos (1944), the first film about artists at work, featuring Henry Moore and Paul Nash, tackled new subjects for the cinema through a unique blend of drama, polemic and humour. Independent Miss Craigie uses the director’s unseen papers, and her films, to reveal her energetic struggles to get her radical projects made and distributed, including her last one, on the Yugoslav conflict, made when she was 83, with her husband, former Labour leader, Michael Foot.

In his final comedy special, Norm Macdonald ponders casinos, cannibalism, living wills and why you have to be ready for whatever life throws your way, all done in front of a camera, without an audience, and in one take. After his set, Norm's friends and fellow comics gather to salute him.

The Righteous Babes shows how the self-affirmative music of young women is renewing the 90's feminism. In the film, audience can experience feminism not in the library but in the rock concert hall. The film shows interviews and performances. In addition, controversial feminists along with American and British women journalists share their views on pop culture.

Génération Club Dorothée - L'incroyable histoire d'une émission culte

Prehistoric Women

A convicted felon builds a feminist movement from behind bars at an all-male prison in Soledad, California.

Rosemarie Blank made this film, which focuses on women aged around fifty, in collaboration with the organisation VIDO (Dutch: Vrouwen in de Overgang/Women in the Menopause). An all but invisible group of housewives who have spent their lives putting themselves last to ensure that their husbands and children can reach their full potential.

From her precocious status as a sex symbol to her consecration as a filmmaker, Jodie Foster's story is about a feminist struggle, albeit atypical, fought on and off the screen. This film sets out to retrace her remarkable journey within the Hollywood industry.

A record of the fight for legal abortion based on the Brazilian, Argentine and Colombian experiences.