Three cats

Tom Volf invites you to delve into the fascinating world of Véronique Sanson, a living legend of French chanson. After several years of research and immersion, he is unveiling an intimate and sincere portrait of the artist in a film event. The fruit of his encounter with the singer, this project highlights the raw emotion and beauty of her career.

During the Late Tang Dynasty, a manor is invaded by a demon cat and a sense of unrest befalls the capital of Changan. A poet is charged with investigating the case and meets up with a monk. The two work together and pull apart the thread of clues to reveal a history of truths leading to the events.

A kaleidoscopic collection of portraits of cat owners in the Netherlands

Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.

A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

When the Littles adopt Stuart, the mouse, George is initially unwelcoming to his new brother, and the family cat, Snowbell, is even less enthusiastic. Stuart resolves to face these difficulties with as much pluck and courage as he can muster.

Wildgnorance

Babe is a little pig who doesn't quite know his place in the world. With a bunch of odd friends, like Ferdinand the duck who thinks he is a rooster and Fly the dog he calls mum, Babe realises that he has the makings to become the greatest sheep pig of all time, and Farmer Hoggett knows it. With the help of the sheep dogs, Babe learns that a pig can be anything that he wants to be.

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

Garfield, the fat, lazy, lasagna lover, has everything a cat could want. But when Jon, in an effort to impress the Liz - the vet and an old high-school crush - adopts a dog named Odie and brings him home, Garfield gets the one thing he doesn't want. Competition.

Jon and Garfield visit the United Kingdom, where a case of mistaken cat identity finds Garfield ruling over a castle. His reign is soon jeopardized by the nefarious Lord Dargis, who has designs on the estate.

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

In the silence and darkness of a trembling mountain, we discover the underground world through the eyes of a boy, an old miner and a woman. Where sweat mixes with the blood of history, a story emerges about colonial heritage and the endless cycle of exploitation.

Desperate to become as rich and successful as their idol, a trio of Michael Jackson impersonators hustle their way into Hollywood agencies, are accosted by paparazzi, and cross paths with Grammy-winning musicians as the American dream seems tantalisingly close. But as they perform for dollar bills and sleep in their car, the reality of the ruthless entertainment industry they dream about hits home.

Rufus is a dog but turns into a human with a pendant. He meets a girl named Kat who asks him to go out. Kat is a cat who can also turn into a human as well.

A cat and a dog lived together. They were very good friends, so when they saw that the floor in their house was dirty, they decided to clean up together. But an ordinary mop refused to deal with the task, so they have to wash and wipe the floor using each other. What will this novel idea lead to?

During a rainy day, and while their mother is out, Conrad and Sally, and their pet fish, are visited by the mischievous Cat in the Hat. Fun soon turns to mayhem, and the siblings must figure out how to rid themselves of the maniacal Cat.

When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.

What compels a man to push the limits of what is attainable ever higher? After thirty years of relentless struggle with the highest peaks on earth, Marc Batard has finally found the answers to these questions. He had to reach the summit of Everest twice, once shattering the record for fastest time in 24 hours without oxygen, and climb the most difficult faces of the Alps to glimpse the path to inner healing. It was through physical suffering that he was able to confront the pain of his soul. He was finally able to talk about the violence of his childhood, the shock he carried like a ball and chain for decades. Having completed his summit therapy, Marc Batard tells his story in this documentary by Gilles Perret.