¿Por qué la gallina cruzó el camino?

Samantha Flores, an 87 year old trans woman dreams with creating a nursing home for elder LGBTTI+ community.

Je suis là

Bengale ou avant que le bonheur frappe

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

True story of Lt.Cdr. Howard W.Gilmore who was awarded the Medal of Honor for sacrificing himself to save his submarine, February 1943.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

A group of live webcams spread out around the world makes a documentary diptych about the months of the lockdown.

Stranded on an arctic island with a dying man in 1921, an Alaskan seamstress must overcome her fears of the wilderness and find the strength to survive if she ever hopes to return home to her son. Inspired by the true story of Ada Blackjack.

A young businessman unexpectedly spends the evening with his one night stand, as they open up about their personal fears, loneliness, and the strain of LA, with good performances from the leads.

To protest the construction of a new car lot, a young guy named Bernat comes to the vacant lot in order to tie himself to the only left living tree. Upon arrival, Bernat finds Joel, an unknown young man who also has decided to tie himself up.

East German short film

Short film about dangers for seniors in road traffic

Based on the short story Ciudad de Payasos by Peruvian-American writer Daniel Alarcón, Payasos tells the story of Chino, a young journalist who, after the death of his father, takes refuge in the world of street clowns.

This film is a portrait of hypnotist and artist, Marcos Lutyens. It examines the idea of incorporating hypnotism into art through the filmmaker participating in a hypnotic induction.

Flashing lights explode across an apartment as images of a naked woman in bed flicker in and out. Light paintings and projections illuminate a space of confrontation and an assault on the senses.

Narges and her friend have just a few hours to find someone to take care of her baby.

In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.

Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.

Walker is a young Aboriginal foster child whose only playmate is his dog. Jamie is a lonely young white boy who is afraid of dogs, and has some strange ideas about Aboriginal people. Walker ignores the racist jeering and taunting of the bigger boys and reaches out to Jamie. Together, they find friendship and understanding. Walker challenges racist attitudes toward Aboriginal people, and shows how children from different backgrounds can form friendships. This film is part of the Playing Fair series.