The Pillow

This 3-minute short film by Iain Delavan was created at a dark time in his life. In his usual abstract and expressive style, Delavan depicts an unsettling scene of a character committing self-harm, set against the backdrop of an interpolation of Lizzy McAlpine's 'doomsday'.

a raw descent, billowing fast & spun 'til the time we'll force the soil to swallow ourselves: too far gone, & no backwards to safety. only spirals of wasted water down dirty, half-clogged drains, razed by fates written for us in cold ash by the bones of ancient smokestacks.

Through a careful selection of images and sounds extracted from various archives, the director of this short film offers a profound reflection on the process of discovering and blossoming her identity. In this personal journey, moments of stumbling, uncertainty and beauty are intertwined, revealing the complexity and richness of the search for authenticity and acceptance.

First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.

An audio-visual experience through the perspective of an iPhone depicting a harmonious city during the day quickly descend into technological madness as night falls.

24 years ago, Nick's parents started a small vegetable farm in Sperryville, Virginia, and he spent his childhood among the farm's fields and flowers. This summer, Nick is back at the farm to visit for a month and a half. And he's trying to make a movie about it.

Directed by Jacob Miguel, "PUNK ROCK LOTTERY" embarks on a mission to capture the rapid growth of an annual event known as "The Punk Rock Lottery" in Austin, Texas. What sets this film apart is its self-awareness, playfully breaking the fourth wall and transforming into an immersive journey through history and the creative process. The narrative builds its foundation by featuring insights from punk legends and influential figures who helped shape both the film and Austin itself. As the story unfolds, it delves into the heart of the project as Jacob actively participates in the event, offering an inside look at the frenetic pace of life in a band. Through the experiences of over 30 characters, the film uncovers universal truths about creativity, camaraderie, and the struggles inherent in pursuing one's artistic passion.

An intimate portrait of Salt Lake City and its surroundings. Shot on 16mm film.

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

A short experimental documentary about love

Experimental short film that explores the rise and decline of the Soviet Union, from the revolutionary spark of 1917 to the challenges and sacrifices endured during World War II, until its dissolution in 1991.

A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.

o céu diante dos meus olhos nunca é cinza

James, giving himself 12 months before he has "a license to kill himself," sets off to the Amazon rainforest with hopes of finding a shaman who can save his life.

Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.

A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.

Lugar de Nadie

Two instants separated by 99 days conflict with each other.