STD Street Smarts

A realist dramedy about dedicated social workers who devote their long shifts to helping pregnant women.

V.I.H.: El muro del silencio

On the brink of turning 30, a promising theater composer navigates love, friendship and the pressure to create something great before time runs out.

Walter is HIV positive and is leading a promiscuis life in Rome. He does this so that he won’t infect his wife. Walter’s wife is also cheating on him. In a decidedly dull subplot, Walter’s father is a senator who wants to use his son’s illness to promote his own political career by calling for more AIDS research.

A reality in which the definitive cure for HIV-AIDS has been found. The government, through the media, makes the announcement official and with it begins protocolization campaigns for HIV-AIDS immunity. But what about people who are already infected?

Tender Heart

A story about life, love, survival and death of a family struggling to find a place under the sun. The son got infected with HIV and that's when the conflict started.

Anna, a foreign correspondent in Nairobi, and Mercy, a local from the slums, are at the center of this emotional story set against the backdrop of the AIDS epidemic in Africa.

Two days in young Rasmus life. Day one he tells his parents that he has AIDS. Day two when he dies, in the wake of the disease.

Kate, Anton, and Keith, three young artists in New York's art scene of the early 1980s. An intimate glimpse into the creative and emotional lives of the young and carefree. They party, photograph, paint, sing, and play their way through the clubs and lofts of Alphabet City. The party ends in 1984 when Anton and Keith contract a mysterious illness known as the "gay cancer." As her music career takes off, Kate tries to save her friends.

It is 1984. Frank is a determined English teenager who runs away from high school to find an alternative gay lifestyle in Amsterdam. He finds a home and a job at the "House of Boys", a bar-cum-brothel run by a strict Madame who has an eye for what his punters crave. Frank works his way up from barman to on-stage dancer and falls in love with some of his housemates, Jake. The first intimations of what is described as 'the gay cancer', casts a long shadow over Frank's tight-knit group of friends. Yet despite the troubles that cloud the hopes and dreams of young Frank, his perseverance, along with support from a willing doctor, will carry him through.

An experimental essay film reflecting on love, temporality, memory, absence, and living with HIV.

Ananias, a San Francisco Bay Area artist and immigrant, performs the folkloric Danza de los Viejitos (the Dance of the Old Men). Originally from Michoacán, Mexico, where the dance originates, Ananias interprets its movements through the lens of his spirituality, his long-term HIV-related disabilities, and his search for a place in the world.

Against all odds Themba realizes his dream playing for the National soccer team, Bafana Bafana.

A general hospital in Gyeongsang-do in 1990. Woo-sik and Jae-gu are working at the hospital as a receptionist. One day, an AIDS patient enters the hospital. Woo-sik and Jae-gu are instructed to bring the bankbook and the young daughter, Tae-bun, from the home of the AIDS patient who did not pay for the hospital. They head to Tae-bun´s house in fear of getting AIDS.

1983 — A young biologist returns home from studies abroad and feels something wrong with his body. This is the start of the AIDS crisis when the first wave of the epidemic hit Brazil. Lives will change, friends will be lost and the future is uncertain.

מלאכים באמריקה- המילניום מתקרב

When a young dancer moves to San Francisco in the early 1980s, signs of a sickness test his relationships, as well as his lifelong dream in this strikingly photographed and stirring portrait.

Masashi, who works at a Japanese restaurant in Santa Monica, gets acquainted with an international student named Kanai and they begin living together. An overseas location film that depicts young people from Japan living gay in the United States.

This early HIV/AIDS film uses the popular and compelling narrative format of the telenovela to illuminate the effects of AIDS on a cross-section ofthe Latino community in Northern California. Different families and individual characters address complex issues such as sexual practice, sexual identity, and drug use in the family. Touches upon safer sex, male homosexuality and bisexuality, and does well representing several Spanish-language idioms. Allows for the development of an elaborate story encouraging honesty and cultural survival as well as self-criticism within the Latino community.