Contractions

“No Such Right” is a snapshot of a region in crisis. In the aftermath of the stunning Dobbs v Jackson decision, doctors, lawyers, activists, and young people across Appalachia had to come to terms with what the future of their region and their rights would be. ‘No Such Right’ is our search for answers, highlighting the voices of those impacted by Dobbs and their efforts to reckon with and remedy these issues. This story is a single piece of a much larger national narrative, but it is a story that few others are in a place to tell.

Verde-Esperanza: Aborto Legal na América Latina

Gloria Allred overcame trauma and personal setbacks to become one of the nation’s most famous women’s rights attorneys. Now the feminist firebrand takes on two of the biggest adversaries of her career, Bill Cosby and Donald Trump, as sexual violence allegations grip the nation and keep her in the spotlight.

Set in a speakeasy in Atlanta, “Twenty” is a feature documentary about fifteen young people making it through 2020. The film is an observational time capsule that lays bare the raw reflections of a group of people surviving a year that will be seared into our generational memory.

Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.

Interviews from women involved in the 70's and 80's rock music industry. An examination of the people taking advantage of underage fans and calling for a "Me too" movement in the music world

Defying the state legislature that outlawed abortion, the Catholic Church that condemned it, and the Chicago Mob that was profiting from it, the members of “Jane” risked their personal and professional lives to support women with unwanted pregnancies. In the pre-Roe v. Wade era — a time when abortion was a crime in most states and even circulating information about abortion was a felony in Illinois — the Janes provided low-cost and free abortions to an estimated 11,000 women.

Documentary that delves deep into the history of abortion law, revealing the contradictory ways in which women's bodies have been used to further political and ideological agendas.

A portrait of Norma McCorvey, the “Jane Roe” whose unwanted pregnancy led to the 1973 case that legalized abortion nationwide, Roe v. Wade. The documentary unravels the mysteries closely guarded by McCorvey throughout her life.

In the fall of 2009, Lindsay Ellis, a 26-year old graduate student, went through the painful process of having an abortion. “The A-Word” follows Ellis as she opens up to her family and organizations from both sides of the debate, in search of healing. This is not a film about the protests and debates wrapped up in religious views and political agenda, but rather a personal journey about one woman’s struggle to shed the stigma attached to the A-word in hopes of starting a dialogue.

The story of The Satanic Temple, a controversial movement that combines religion and activism with the apparent purpose of questioning the basic foundations of US society.

The film begins by showing images of the Holocaust, and stating that Hitler sanctioned the killing of 11 million people. This is followed by Comfort interviewing people about Adolf Hitler; their responses indicate a lack of historical knowledge, although he also finds a neo-Nazi who claims to love Hitler. Comfort proposes a hypothetical situation to his interviewees, asking if they would kill Hitler if they had the opportunity at that time in history. He asks more hypotheticals dealing with what his interviewees might do in other circumstances related to the Holocaust. He then switches his topic to make similar comparisons to abortion within the United States and the right to life, personalizing his arguments to make comparisons between the Holocaust and abortion in order to place the interviewees on the spot. The documentary concludes with Comfort stating that over 50 million abortions have occurred to date; he calls this the "American Holocaust".

A thought-provoking look at the subject of abortion today, told through the stories of women struggling with unplanned pregnancies, abortion providers and clinic staff and activists on both sides of this contentious debate.

Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.

The film delves into the reality of frontline workers who protect the right to abortion, an unprecedented access. Their stories are accompanied by powerful testimonies from women who have experienced a termination of pregnancy, breaking the silence and isolation.

As the Arizona Supreme Court argues on whether to reinstate an abortion ban that originated in 1864, As Long As We Can offers a glimpse into the day-to-day activities of this, for now, still functioning clinic.

This film is made up of interviews from preteens to adults discussing their thoughts and feelings on sex, relationships, and parenting in relation to teen pregnancy.

Both cautionary tale and rallying cry, Shouting Down Midnight recounts how the Wendy Davis filibuster of 2013 galvanized a new generation of activists and reveals what is at stake for us all in the struggle for reproductive freedom.

French documentary campaigning for the liberalization of abortion and contraception, directed by Charles Belmont and Marielle Issartel in 1973.

Twelve uncomfortable, deeply personal and painful stories by women who have had an abortion are read, told and 'experienced' by six male actors. Does that make a difference? Will the society listen now?