La Corse, belle et méditerranéenne

A concert film highlighted by performances from Marvin Gaye, Jerry Butler, and Roberta Flack.

Algériennes, Trente ans après

Shark filmmakers hunt for "Air Jaws" breaching in New Zealands hidden "launch pad".

Focuses on one of the most talked about and important issues of our time – how to find yourself and your truth. It follows model and transgender activist Munroe Bergdorf’s journey and provides hope for those facing similar challenges.

In a small cockpit-like room, we see two young hip hop musicians from Tokyo giving birth to a beat: precision, patience and camaraderie hold sway, midway between an installation and sitcom.

A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.

La bataille de Saint-Léonard

It’s Chicago in the 1980s and ‘90s, and Kevin Matthews has it all as one of the nation’s most recognized on-air radio personalities. He’s partying with celebrities, rubbing shoulders with famous athletes, and the world is at his fingertips. Then everything changes – he’s diagnosed with a debilitating illness and the spotlight gradually slips away. At the height of his anguish, he stumbles upon a broken statue of the Virgin Mary, and his life takes an unexpected turn. In this moment of spiritual awakening, Kevin finds his true purpose and calling, discovering what matters most. Calling himself “Mary’s Roadie,” he offers his fans something deeper: inspiration and hope.

Behind the gas masks of Hong Kong’s democracy movement, the often very young activists are just as diverse as the youths of the rest of the world. But they share a demand for democracy and freedom. They have the will and the courage to fight – and they can see that things are going in the wrong direction in the small island city, which officially has autonomy under China but is now tightening its grip and demanding that ‘troublemakers’ be put away or silenced. Amid the violent protests, we meet a 21-year-old student, a teenage couple and a new father.

A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.

Kadhafi, la folie d'un dictateur

An observational documentary follows a pack of canines inhabiting the dynamic crossroads between the urban landscape and the natural world along the banks of the Sabarmati River, Ahmedabad.

1972 in Haute-Savoie (France) : the Bertrand's farm, with a hundred dairy cows owned by three bachelor brothers, is filmed for the first time. In 1997, they were the subject of Gilles Perret's first movie, as they let their farm to their nephew Patrick and his wife Hélène. Nowadays, 25 years later, Gilles Perret take another look at this farm, managed by Hélène who will step down. Through their words, an intimate, social and economic history of the rural world.

Despite being closed to the public, on Tuesdays at the Louvre Museum in Paris, the day is busier than ever.

Tres mujeres, un camino

Since the invention of the automobile, women have distinguished themselves by their daring: the history of women in motor sport.

Most of us think of death as something clear-cut, and that medical science has it neatly figured out. This feature documentary explodes such assumptions through its exploration of a phenomenon that blurs life and death to an unprecedented degree. In what Tibetan Buddhists call tukdam, advanced meditators die in a consciously controlled manner. Though dead according to our biomedical standards, they often stay sitting upright in meditation; remarkably, their bodies remain fresh and lifelike, without signs of decay for days, sometimes weeks after clinical death. Following ground-breaking scientific research into tukdam and taking us into intimate death stories of Tibetan meditators, the film juxtaposes scientific and Tibetan perspectives as it tries to unravel the mystery of tukdam.

Documentary covering the current state of both the theoretical and practical development of the various scientific basic principles that served, as per Gene Roddenberry's dictum, as a believable basis at the time for The Original Series. Several real-world scientists are interviewed, not a few of them unabashedly admitting they went into their chosen field of profession because of Star Trek: The Original Series.

Guy Debord's analysis of a consumer society.

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.