Appendix

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)

Animación en la sala de espera

Esquivar y pegar

Jean Vigo : le son retrouvé

A portrait of a family living in a village in Masuria.

The filmmaker interviews still surviving residents of Las Hurdes, where Buñuel shot a controversial documentary almost 70 years ago, and compares the area as shown in that work to the way it seems now.

Jesús Franco, manera de vivir

After rocker Kurt Cobain's death, ruled a suicide, a film crew arrives in Seattle to make a documentary. Director Nick Broomfield talks to lots of people. Portraits emerge: a shy, slight Kurt, weary of touring, embarrassed by fame, hooked on heroin; an out-going Courtney, dramatic, controlling, moving from groupie to star.

El jardín de las delicias

Documentary about the history of experimental cinema in Spain. FRAGMENTS is a historical survey of “the other” Spanish Cinema — films that brazenly explored their artistic, poetic and conceptual potential. Spanish experimental cinema can be glimpsed in a series of important yet isolated events that FRAGMENTS compiles through various firsthand accounts, film excerpts and documents. For the first time in Spain, a documentary brings together the most relevant of a cinema that is slowly losing its invisibility.

Recuerdos en la tierra

Good Farm

Gente de mesón

Documentary about the painter Lucian Freud.

Fritz Lang, le cercle du destin - Les films allemands

Represión: un arma de doble filo

An audiovisual chronicle of the Spanish Civil War in Galicia. Memorias Rotas centers on a group of republican fighters leaded by Commander José Moreno. The group disappears as they fail trying to escape by sea in the border between Galicia and Asturias and nobody ever knows about them.

Lágrimas rojas

A ghost of Brighton's Regency past returns to explore his old haunts in a colourful yarn set in 1950s Sussex-by-the-Sea.

The documentary follows Nicolas Vlavianos (1929-2022), a renowned sculptor, in the final years of his life. It captures the moment — when he is around 90 years old — that he returns to an old drawer, tries to pick up his tools, and realizes he no longer has the strength to hold them. That simple gesture becomes the symbolic trigger: the end of his long creative cycle and the beginning of a farewell to his art. From there, the film documents the dismantling of Vlavianos’s studio and workspace, and the gradual process of his withdrawal from physical creation. It’s not just a retrospective of works: it’s a portrait of decline, memory, mortality, and legacy.